DAVID
CLAYTON-THOMAS
Combo
Antoinette
Music
Two years ago on A Blues for the New World, David
Clayton-Thomas updated the familiar, brassy Blood, Sweat and Tears sound with a fine set of original songs.
This time around, he has released a much quieter, very intimate set, mostly
devoted to familiar jazz classics.
The tone for Combo is set in the opening number, a lovely version of “As Time
Goes By” that opens with the melody perfectly stated by Mark Kieswetter at the piano. A few seconds later, David starts to
quietly sing with George Koller’s
bass providing the musical heartbeat. This is music to get lost in at 2 o’clock
in the morning.
The formula is repeated on the next song, “Nature
Boy,” except that it’s Ted Quinlan’s
masterful touch on the guitar that perfectly states the introductory notes of
the melody. David, who can shout a lyric with the best of them, is able to go
deep into these intimate songs. His versatility in that regard is particularly
evident in the way he redefines his approach to Billie Holiday’s “God Bless the Child,” sung here oh so differently
than on the brassy Blood, Sweat and Tears version. On Combo, David’s treatment brings out the essence of the poignant
lyrics while the musicians bring out the beauty of the melody.
Other highlights include a so very soulful
version of “Stormy Monday” T-Bone Walker’s
blues classic that has Kieswetter doing some wonderful double duty on the piano
and Hammond organ; the late Allen
Toussaint’s “Freedom for the Stallion” featuring superb harmonies from Jackie Richardson; and a stomping, New
Orleans-style duet with Genevieve Marentette
on “The Glory of Love.”
Perhaps my favorite piece is “Smile,” the
inspiring bit of good advice whose melody was written by Charlie Chaplin for his 1936 film, Modern Times (the lyrics were added in 1954 when the song became a
hit for Nat King Cole). I especially
love the interplay on this number between David’s voice and Koller’s bass.
David has surrounded himself with a group
of wonderful musicians who play superbly throughout Combo. In addition to Kieswetter, Koller and Quinlan, the album
features Ben Riley on drums and Colleen Allen on sax.
Pictured: Mike Regenstreif and David
Clayton-Thomas at CKUT during Folk Roots/Folk Branches, June 29, 2006. (Photo:
Jadro Subic)
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--Mike
Regenstreif
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