Ottawa Folk Festival preview

The Ottawa Folk Festival, now in its third year as part of the Ottawa Bluesfest organization, is set to unfold between Wednesday, September 4 and Sunday, September 8 at Hog’s Back Park – a great setting for a music festival.

In recent years, the Ottawa Folk Festival – or just Folkfest as many now refer to it – has become less a traditional folk festival and more of an all-encompassing, genre-blending music festival in the same way that Bluesfest isn’t really about blues (while still retaining some blues content) and the Ottawa Jazz Festival isn’t really about jazz (while still retaining a lot of jazz content). That Willie Nelson headlined Jazzfest, Great Big Sea headlined Bluesfest and Neil Young is headlining Folkfest all probably had a lot more to do with who was available to play in Ottawa at the times of those particular festivals than about jazz, blues or folk visions.

As I noted in my reviews of last year’s Ottawa Folk Festival, the Folkfest has really become two overlapping events taking place on the same grounds over the same days. There’s a (mostly indie) rock and pop festival which draws in big crowds – mostly much younger than typical folkies – geared to the headliners and some of the supporting acts of any particular night (I say night because this is a nighttime crowd that isn’t really there for the daytime programming on the weekends).

Then there is the actual folk festival unfolding out mostly on the smaller stages, particularly on the free stages, and most particularly during the day on Saturday and Sunday during the workshop programming. The audience here, from young families with children to die-hard folkies, are the kinds of people who have been attending folk festivals for decades.

Which is not to say there isn’t overlap with some of the folk-rooted artists playing on some of the bigger stages, and some of the rock or pop artists participating in the workshops or playing on the smaller stages.

Here are my recommendations of Folkfest highlights to watch out for each day.

Wednesday – There really is only one show happening on opening night: Neil Young and Crazy Horse doing a two-hour set with Patti Smith doing a 75-minute opening set (I gather that Smith has been on tour opening for Young).

While primarily a rocker, Neil Young has released any number of great folk-oriented albums over the years and occasionally gone out as a solo, acoustic singer-songwriter. Last year, with Crazy Horse, he put out an album called Americana which was mostly made up of hard-rocking versions of folksongs like “Tom Dula” and Woody Guthrie’s “This Land is Your Land.”

Update (August 19): "Ottawa Folk Festival organizers today confirmed that Neil Young will not be performing on September 4 at the Ottawa Folk Festival. This is due to a hand injury sustained by guitarist Frank ‘Poncho’ Sampedro, whose doctor has indicated that Sampredo's hand requires additional time to heal properly. Festival organizers will announce refund details and other line-up updates before the end of this week." 

Update (August 23): The Ottawa Folk Festival has announced that City and Colour (Dallas Green) will replace Neil Young on the night of September 4.

Thursday – My pick for Thursday are the Claytones, an Ottawa Valley band fronted by Kelly Prescott and Anders Drerup steeped in rootsy country music. I saw their set at the Folk Festival on the Canal in Montreal in June and was mightily impressed. The Claytones are playing on the free side of the festival.

Friday – Friday boasts a really interesting 1-2-3 lineup on the Tartan Homes stage with local singer-songwriter Amanda Rheaume, whose latest album, Keep a Fire, is a thought-provoking exploration of her family roots; Beth Orton, a British singer-songwriter who did an interesting version of my late friend Dave Van Ronk’s “Bamboo (River Come Down)” on the latest Rogue’s Gallery collection; and then Emmylou Harris & Rodney Crowell whose recent duo album, Old Yellow Moon, recalls Emmylou’s early days as a major artist when Rodney played in her Hot Band.

A couple of other interesting artists playing on other stages at the same time as that 1-2-3 lineup are Matt Anderson, an extraordinary guitarist steeped in acoustic blues and Robyn Hitchcock, another fine British folk-rocker who also contributed to the latest Rogue’s Gallery album. Robyn is playing on the free side of the festival.

Saturday – Things really get busy on Saturday with the workshops and lots of concerts going happening on the free side of the festival – as well as lots of stuff on the ticketed side.

The most emotional 90 minutes of the Ottawa Folk Festival is a multi-artist tribute to the late Chopper McKinnon at 4:30 pm. Chopper – host of Canadian Spaces on CKCU for 33 years and a main stage MC of the Ottawa Folk Festival for most of its history – was the focal point of Ottawa’s folk music scene.

Other Saturday highlights include performances by Tift Merritt, an interesting alt-country singer-songwriter, Martyn Joseph, an equally interesting Welsh singer-songwriter and the incredible Carolina Chocolate Drops, the group at the vanguard of the revival of traditional African American folk music. Martin Joseph and the Carolina Chocolate Drops also perform Sunday.

Sunday – Again lots of workshops and concerts on the free side of the festival and a whole lot happening on the ticketed side.

Sunday highlights on the free side of the festival include concerts by Chris Smither, the great folk-blues singer-songwriter and interpreter; Sheesham and Lotus, who bring terrific vaudevillian showmanship to folk music; and Mo Kenney, a rising star on the Canadian singer-songwriter scene from Nova Scotia.

On the ticketed side, my Sunday picks include concerts by veteran blues artist Terry Gillespie; Lynn Miles, the great Ottawa-based singer-songwriter who has a stunning new album; David Lindley, an amazing guitar player whose music is steeped equally in American roots music and various world music styles; a contemporary version of the Wailers, the late Bob Marley’s band, led by Aston “Family Man,” who played bass in the original group; and the already-mentioned Martyn Joseph and Carolina Chocolate Drops who are back on Sunday.

And that’s just my picks. There’s lots of other music happening over the course of the Ottawa Folk Festival. The full schedule for the festival is available at this link.

Of course, I do have to express my disappointment that the first two nights of the Ottawa Folk Festival coincide with Rosh Hashanah, the Jewish New Year, which will keep many people – me included – away on those nights.

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--Mike Regenstreif

Various Artists – Son of Rogues Gallery: Pirate Ballads, Sea Songs & Chanteys

VARIOUS ARTISTS
Son of Rogues Gallery: Pirate Ballads, Sea Songs & Chanteys
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About 35 or 36 years, I spent some time hanging around the Philadelphia Folk Festival with an aspiring record producer named Hal Willner. We were introduced, as I recall, by the legendary folk music photographer David Gahr. Some years later, Hal began to produce fascinating compilation albums, including wonderful tributes to such composers as Nino Rota, Thelonious Monk and Kurt Weill.

In 2006, he put together Rogue’s Gallery: Pirate Ballads, Sea Songs & Chanteys, a wonderful 2-CD set of mostly non-traditional renditions of mostly traditional songs of the sea. It was an album that polarized the folk music world. Some, me included, loved it. It fit perfectly into my reasoning for naming my radio show (and, now, this blog) Folk Roots/Folk Branches – music rooted in, or branching out, from some kind of folk-based tradition. There were a lot of great tracks but a lot of traditional purists – some of the same folks who are still pissed about Bob Dylan at Newport in 1965 – hated the album as it wasn’t faithful to the finger-in-one-ear tradition of a cappella singing which some think of as the only authentic way to approach much of this kind of material.

My guess is this 2-CD sequel, Son of Rogues Gallery: Pirate Ballads, Sea Songs & Chanteys, will meet a similar reception. Personally, I’ve been having a lot of fun listening to this diverse group of artists – some of whom I’ve long loved, some of whom I’ve never previously appreciated, and a few of whom I’d never even heard of – re-imagine these songs of the sea.

The album begins with a rollicking version of “Leaving of Liverpool” by poguemeister Shane McGowan and a folk-rock rendition of “Sam’s Gone Away” by Robyn Hitchcock before settling into Beth Orton’s extended version of “Bamboo (River Come Down),” written by my late friend Dave Van Ronk and made famous by Peter, Paul and Mary on their first album. Ironically, it’s a song that Dave himself hated and quickly dropped from his performing repertoire.

Other highlights from the first CD include a lovely, ragged take on “Shenandoah,” sung by Tom Waits with harmony vocals and some lovely guitar playing by Keith Richards; Ivan Neville’s second line arrangement of “Mr. Stormalong”; and a soulful, cabaret arrangement of “Off to Sea Once More” by Macy Gray. The most beautiful moments are in Gavin Friday and Shannon McNally’s version of “Tom’s Gone to Hilo” (which Kate and Anna McGarrigle often performed as “Johnny’s Gone to Hilo”).

Highlights on the second CD include Dr. John’s setting of “The Lure of the Tropics,” a century-old poem by Clarence Leonard Hay; Jenni Muldaur’s lovely rendition of “Row the Boat, Child,” an African-American rowing shanty from the singing of Peter Davis of the Georgia Sea Island Singers; a good-time version of “Whiskey Johnny” by Michael Gira with Dixieland horns; and a poignant version of “Mrs. McGrath,” sung by Anjelica Huston to the accompaniment of a string quartet.

While most of the tracks were recorded especially for this release there are a couple of selections from other sources. There’s an instrumental medley of “Wedding Dress Song” and “Handsome Cabin Boy,” recorded back in the ‘60s by Frank Zappa and the Mothers of Invention, and Marianne Faithfull’s lovely version of “Flandyke Shore” with harmonies by Kate and Anna McGarrigle, from her 2008 album Easy Come, Easy Go (which was produced by Hal Willner).

Caveat: As is any project of this type, there are bound to be occasional clunkers. But tracks like Katey Red and Big Freeduia’s annoying take on “Sally Racket” (Oy, what a racket!) are few and far between.

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--Mike Regenstreif