Showing posts with label Rachel Lemisch. Show all posts
Showing posts with label Rachel Lemisch. Show all posts

Sunday, December 3, 2017

Jason Rosenblatt & Orkestra Severni – Brass Fabulous



JASON ROSENBLATT & ORKESTRA SEVERNI
Brass Fabulous

(A version of this review is published in the Ottawa Jewish Bulletin.)

Jason Rosenblatt established his initial reputation by playing harmonica and leading Shtreiml, an inventive klezmer band based in Montreal. He has since branched out with other projects including Jump Babylon, a rock band featuring songs on Jewish themes, and a solo album steeped in jazz, blues and roots influences.

On Brass Fabulous, Jason is at the piano with Orkestra Severni, a group of horn players and a drummer – including his wife, trombonist Rachel Lemisch – playing a set of original compositions steeped in klezmer and other Eastern European traditions.

Among the highlights are “Sirba a la Oscar,” a three-part dance with sirba, hora and freylach sections; “A Mother’s Pain,” which has a sadder motif than most of the rest of the album; and the inventive “Chassidic Love Tango,” which adds a South American touch to the Eastern European base of most of the music.

The album is well-named because Jason's compositions are constructed to highlight the sounds of the horns – tuba, trombone, trumpet and saxophone – and they really do sound fabulous.

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Tuesday, September 4, 2012

Jump Babylon – Soldier Woman


Soldier Woman
Jump Babylon


(This review is from the September 10, 2012 issue of the Ottawa Jewish Bulletin.)

For the past decade, the Montreal-based Shtreiml, led by inventive harmonica and keyboard player Jason Rosenblatt, has been one of Canada’s most innovative klezmer bands. But, sometimes the klezmorim just want to play some rock and roll (and write some rock and roll songs). So Rosenblatt and several Shtreiml band mates, singer-guitarist Adam Stotland, trombonist Rachel Lemisch and drummer Thierry Arsenault, along with bassist Joel Kerr and horn players James Rhodes and Andrew Skowronski formed Jump Babylon.

The newly-released Soldier Woman is Jump Babylon’s debut release and the 11 songs – 10 written by Rosenblatt, one by Stotland – mostly focus on Jewish or Israeli themes.

Among the highlights is “Canada,” a rootsy rock song sung from the perspective of an elderly Holocaust survivor looking back on the life he built for himself in this country after the war. Another is “Zion,” a celebration of both the city of Jerusalem and the end of Jewish exile, and a defiant rejection to those who would delegitimize Israel. The most fun song is “The Bride,” a hilarious recounting of typical Jewish weddings as perceived by the hired musicians.

Stylistically, Jump Babylon moves from rock to ska and reggae rhythms – even to New Orleans-style jazz.

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--Mike Regenstreif