Stranger Songs with Mike Regenstreif – CKCU – Tuesday January 24, 2023: Songs of – or inspired by – the Spanish Civil War

Stranger Songs with Mike Regenstreif finds connections and develops themes in various genres. The show is broadcast on CKCU in Ottawa on Tuesdays from 3:30 until 5 pm (Eastern time) and is also available 24/7 for on-demand streaming.

CKCU can be heard live at 93.1 FM in Ottawa and https://www.ckcufm.com/ on the web.

This episode of Stranger Songs was recorded and can already be streamed on-demand by clicking on “Listen Now” at … https://cod.ckcufm.com/programs/595/59086.html

Theme: Songs of – or inspired by – the Spanish Civil War.

Woody Guthrie- Jarama Valley

Songs of the Spanish Civil War, Volumes 1 & 2 (Smithsonian Folkways)

Shay Black & Aoife Clancy- Viva la Quinte Brigada

Spain in My Heart: Songs of the Spanish Civil War (Appleseed)

Lila Downs- El Quinto Regimiento

Spain in My Heart: Songs of the Spanish Civil War (Appleseed)

Windborne- Viva la Quince Brigada

Of Hard Times & Harmony (Wand’ring Feet)

Jamie O'Reilly & Michael Smith- Song of the International Brigade

Pasiones: Songs of the Spanish Civil War 1936-1939 (Bird Avenue)

Jack Hardy- Orphan from Madrid/Guernica

Landmark (Great Divide)

Charlie Haden- Els Segadors (The Reapers)

Ballad of the Fallen (ECM)

Rosalie Sorrels- Eddie’s Song

Strangers in Another Country: The Songs of Bruce “Utah” Phillips (Red House)

John McCutcheon- The Abraham Lincoln Brigade

Spain in My Heart: Songs of the Spanish Civil War (Appleseed)

Pete Seeger, Tom Glazer, Baldwin (Butch) Hawes & Bess Hawes- Si Me Quieres Escribir

Songs of the Spanish Civil War, Volumes 1 & 2 (Smithsonian Folkways)

Jamie O'Reilly & Michael Smith- Freheit!: Song of the Thaelmann Batallion

Pasiones: Songs of the Spanish Civil War 1936-1939 (Bird Avenue)

Paul Robeson- The Peat Bog Soldiers

Songs of Free Men: A Paul Robeson Recital (Columbia Masterworks)

Jack Hardy- In Memory of Federico Garcia Lorca

Noir (Great Divide)

Jamie O'Reilly & Michael Smith- Lament for Ignacio Sanchez Mejias

Pasiones: Songs of the Spanish Civil War 1936-1939 (Bird Avenue)

Ben Sidran- On Defeating Death/Absent Soul

The Concert for Garcia Lorca (Go Jazz)

Joel & Jamaica Rafael- Los Cuatro Generales

Spain in My Heart: Songs of the Spanish Civil War (Appleseed)

Jamie O'Reilly & Michael Smith- Gunner Name of Bill

Pasiones: Songs of the Spanish Civil War 1936-1939 (Bird Avenue)

Laurie Lewis- Taste of Ashes

Spain in My Heart: Songs of the Spanish Civil War (Appleseed)

Charlie Haden- La Pasionaria

Ballad of the Fallen (ECM)

Next week: Songs I’ve Heard Leon Redbone Sing.

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--Mike Regenstreif

John McCutcheon – Joe Hill’s Last Will

JOHN McCUTCHEON

Joe Hill’s Last Will

Appalsongs

folkmusic.com

Joe Hill (1879-1915) is a legendary figure in the history of folk music and the labor movement. A Swedish immigrant (born Joel Emmanuel Hägglund), he immigrated to the United States in 1902 and learned to speak English as a migrant laborer. Sometime around 1910, Hill joined the Industrial Workers of the World (IWW), the Wobblies, a union that believes in industrial unionization, “One Big Union,” as opposed to trade unionism, and began to write songs for them – often set to tunes borrowed from popular songs of the day. In some ways, Woody Guthrie followed in Hill’s footsteps a generation later.

In 1914, Hill was arrested in Salt Lake City, Utah for a murder he did not commit, and was tried and convicted. He was executed by firing squad on November 19, 1915 at the age of 36.

Like many of my generation, I initially learned about Joe Hill from the song written about him in the 1930s by Alfred Hayes and Earl Robinson via recordings by Paul Robeson and recordings and performances in the ‘60s by Pete Seeger and Joan Baez. Much of what I know about Joe Hill, though, came from another great Wobblie songwriter, my late friend Bruce “Utah” Phillips, who I heard sing many of Joe Hill’s songs, and tell many stories about him, over a period of many years.

This year is the 100th anniversary of Hill’s execution and John McCutcheon marks the occasion with Joe Hill’s Last Will, an inspired and inspiring collection of Joe Hill songs – a couple of which I’m hearing for the first time on this CD, others which I know from recordings by such artists as Utah Phillips, Pete Seeger, Cisco Houston, and Hazel Dickens.

One of the astounding things that hits home about these songs is the so very brief period in which they were created. The earliest is from 1911 and the latest from 1915 – just a four year period. But, although these songs date from a century and more ago and are essentially topical songs, most – particularly with John’s infectious and creative arrangements – seem relevant to the (economic) times we’re living in now.

While the entire album is entirely praiseworthy, some of the finest moments include “It’s a Long Way to the Soup Line,” a song Hill wrote in prison in 1915 to the tune of “It’s a Long Way to Tipperary”; “The Preacher & the Slave,” a parody of “In the Sweet Bye and Bye,” that Hill used to mock the Salvation Army (the “Starvation Army”) and their brass bands that were used back in the day to disrupt IWW rallies; and the rousing finale, “There is Power in the Union,” on which John is joined by a bunch of fellow workers from the American Federation of Musicians, Local 1000 (the folksingers' local), and the Seattle Labor Chorus.

Certainly the most moving song is the title track, “Joe Hill’s Last Will,” whose words Hill wrote the day before his execution and which were smuggled out of the prison by a guard.

My will is easy to decide,
For there is nothing to divide.
My kind don't need to fuss and moan –
“Moss does not cling to a rolling stone.”

My body? Ah, If I could choose,
I would to ashes it reduce,
And let the merry breezes blow
My dust to where some flowers grow.

Perhaps some fading flower then
Would come to life and bloom again.
This is my last and final will.
Good luck to all of you.

Joe Hill

“Joe Hill’s Last Will” has been set to music several times over the years – I have a bluegrass version on the collaborative 1976 album by Country Cooking and the Fiction Brothers – but John’s lovely version is to a melody of his own. (I’ve also heard it performed as recitation by both Utah Phillips and the late Tex König.)

I’ll also note that a couple of the songs, “Overalls & Snuff,” and “Where the Fraser River Flows,” are of special Canadian interest as they were written for the strike against the Canadian National Railroad in 1912.

An essential recording and an excellent companion to John's Woody Guthrie tribute, This Land: Woody Guthrie's America.

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--Mike Regenstreif

Various Artists – The Beautiful Old: Turn-of-the-Century Songs

VARIOUS ARTISTS

The Beautiful Old: Turn-of-the-Century Songs

Doubloon Records

thebeautifulold.com

Popular music began to change in the 1920s with the advent of radio and phonograph records. Before records, in the 1800s and early-1900s, it was the sale of sheet music that led to hit songs. People bought sheet music so they could play the songs in their living rooms, or parlors. Songs from that era are often referred to as parlor music.

On The Beautiful Old: Turn-of-the-Century Songs, producers Paul Marsteller and Gabriel Rhodes have assembled a lovely compilation of parlor songs from between 1805 and 1918 – including a couple of instrumentals – performed by a stellar collection of singers and musicians. The songs are performed strictly on instruments that could have been used back in the day. Despite the fact that the performers span several generations, several genres of music and come from a couple of continents, there is a seamless quality to the production – thanks, no doubt, to the lovely arrangements and excellent performances.

Among my favorite selections are Richard Thompson and Christine Collister’s perfectly charming version of “The Band Played On,” which opens the CD; Jimmy LaFave’s heartfelt rendering of “Long Time Ago”; and Eric Bibb’s uncharacteristic take on “Just A-Wearyin’ For You,” a song once performed by Paul Robeson, his legendary godfather.

Another favorite is Carrie Elkin’s version of “The Dying Californian.” When Kimmie Rhodes adds her lovely harmony to Carrie’s voice I’m reminded of hearing Kate and Anna McGarrigle sing some of the parlor songs they were raised on.

Kimmie Rhodes – whose West Texas Heaven remains one of my all-time favorite country albums – turns in three great performances as lead vocalist. And, if I have a new discovery thanks to this album, it’s Kimmie’s daughter, Jolie Goodnight, who sings two songs including the folksong, “Silver Dagger.”

I also couldn’t help but smile listening to Dave Davies of the Kinks sing “After the Ball” or be moved by Christine Collister’s touching rendition of “Home Sweet Home.”

Of special note among the instrumentalists are pianist Garth Hudson of The Band and producer and multi-instrumentalist Gabriel Rhodes (Kimmie’s son).

Find me on Twitter. twitter.com/@mikeregenstreif

And on Facebook. facebook.com/mikeregenstreif

--Mike Regenstreif

Eric Bibb – Deeper in the Well

ERIC BIBB

Deeper in the Well

Stony Plain

ericbibb.com

Although he’s been an accomplished musician since he was a teenager in the 1960s, Eric Bibb really only landed on my radar in 1998 with the release of an inspired and inspiring album called Good Stuff.

I soon discovered Eric was the son of actor and folksinger Leon Bibb (who was a prominent participant in the post-War folk revival) – and the godson of Paul Robeson and the nephew of pianist John Lewis of the Modern Jazz Quartet, talk about a musical pedigree – and that I was previously unfamiliar with Eric because he’d spent most of his career living and performing in Europe.

Good Stuff launched Eric’s career in North America and he was soon a significant presence on the folk, blues and jazz festival circuit. He was my guest several times on the Folk Roots/Folk Branches radio program when he’d come to play at the Montreal International Jazz Festival.

Since Good Stuff, Eric has recorded prolifically, both solo albums and collaborations with other artists, and I’ve written about many of them here and in various publications. These albums have almost always been among my favourites for any year they’ve been released and are all albums I’ve returned to often over the years. His new album, Deeper in the Well, will be no exception.

To keep all of his recordings sounding fresh, Eric has done things a little differently from album to album. This time around, he travelled to Louisiana to record at Dirk Powell’s studio in Pont Breaux with Dirk, who plays just about anything with strings, plus accordion; fiddler Cedric Watson; drummer Danny DeVillier; harmonica player Grant Dermody, who contributed so much to Eric’s Booker’s Guitar album in 2010; and Christine Balfa on Cajun triangle.

A little over half the album’s songs are Eric’s originals, including “Bayou Belle,” the appropriately swampy opening track that blends the acoustic blues Eric is so expert at with the Cajun and Creole influences of Louisiana.

As with all of Eric’s albums, it’s hard to pick favourites. But a few of mine from initial listening would include “Money in Your Pocket,” a count-your-blessings kind of song co-written with Michael Jerome Browne; “Music,” an infectious celebration of music-making; a happy sounding version of “Dig a Little Deeper in the Well,” learned ago from Doc Watson; and a thoughtful version of Bob Dylan’s “The Times There are A-Changin’” which Eric makes sound as vital in 2012 as it was almost half a century ago.

While it doesn’t say so in the credits, there are a couple of equally excellent tracks that I suspect were recorded, at least partially, elsewhere. Eric’s “In My Time,” which contrasts good times and hard times, brings together Eric’s soulful singing, and fluid, finger-picked guitar, with the sublime playing of dobro-master Jerry Douglas; and an almost West African-sounding version of Taj Mahal’s “Every Wind in the River” features back-up by master-of-all-roots music Michael Jerome Browne and studio wiz Michel Pepin, both of Montreal.

As mentioned, Deeper in the Well is yet another Eric Bibb album I’ll be listening to years from now.

Pictured: Michael Jerome Browne, Mike Regenstreif and Eric Bibb during Folk Roots/Folk Branches at CKUT, June 30, 2005, (Photo: Sari Matinlassi) 

I'm now on Twitter. twitter.com/@mikeregenstreif

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--Mike Regenstreif

Holger Petersen – Talking Music: Blues Radio and Roots Music

Talking Music: Blues Radio and Roots Music

By Holger Petersen

Insomniac Press

326 pages

insomniacpress.com/

Holger Petersen’s primary gig for the past 35 years has been running Edmonton-based Stony Plain Records, which he’s built into one of the world’s premiere roots music labels. He is also a veteran and much-respected host of two weekly blues radio programs, Natch’l Blues on the Alberta-wide public station CKUA (for more than 40 years), and Saturday Night Blues on CBC (for 25).

Holger’s an excellent interviewer – I wouldn’t hazard a guess as to how many he’s done in his combined 65 years of weekly broadcasts – and he’s taken transcriptions from 19 of what must be the among the best and turned them into a page-turner for anyone who’s fascinated with great blues and roots artists, producers and musicologists.

As it happens, I’m familiar with the work of all of Holger’s subjects in Talking Music: Blues Radio and Roots Music. I know a couple of them, have met a few others, and have interviewed some of them myself. Despite that familiarity, I was drawn into these interviews and could hear the voices – and Holger’s – in my head as I read their words.

There are lots of fascinating stories here: David “Honeyboy” Edwards on the death of Robert Johnson; legendary musicologist Alan Lomax talking about the discovery of Lead Belly and decrying the state of contemporary blues; Jay McShann on his early days in Kansas City and having a kid sax player named Charlie Parker in his band; Ian Tyson on both his early folk days and the renaissance of cowboy culture; Chris Barber talking about the first British blues tours he organized for legends like Sonny Terry & Brownie McGhee; Jeff Healey on his love for traditional jazz; Lucinda Williams on her early Folkways records; Sam Phillips on recording artists like B.B. King and Elvis Presley early in their careers; Eric Bibb and his dad, Leon Bibb, talking about their relationships with Paul Robeson; and, so many, many more.

All the people in this book – famous or not – are important figures in the history of music and the insights in these interviews serves to enhance appreciation for them and their work.

--Mike Regenstreif

This week in Folk Roots/Folk Branches history (February 9-15)

Folk Roots/Folk Branches with Mike Regenstreif was a Thursday tradition on CKUT in Montreal for nearly 14 years from February 3, 1994 until August 30, 2007. Folk Roots/Folk Branches continued as occasional features on CKUT and is now also a blog. Here’s the 24th instalment of “This week in Folk Roots/Folk Branches,” a weekly look back continuing through next August at some of the most notable guests, features and moments in Folk Roots/Folk Branches history.

February 9, 1995: Pre-Valentine’s Day “All Love Songs” Special.
February 13, 1997: Pre-Valentine’s Day “All Love Songs” Special.
February 11, 1999: Guest- James Keelaghan.
February 14, 2002: Tribute to the late Dave Van Ronk; Guest- Gerry Goodfriend.
February 12, 2004: Guests- Jason Rosenblatt of Shtreiml and Abby Rosenblatt.
February 10, 2005: Tributes to the late Stan Rogers and Odetta, the 2005 Lifetime Acheievement Award honorees of the North American Folk Alliance.
February 9, 2006: Special Edition- Variations on the theme of John Henry.
February 15, 2007: Guests- Dane Lanken and Anna McGarrigle.
February 14, 2008 (Folk Roots/Folk Branches feature): Spotlight on Paul Robeson.

Pictured: Anna McGarrigle and Mike Regenstreif at the launch of Kate & Anna McGarrigle: Songs & Stories by Dane Lanken, recording an interview heard February 15, 2007 on Folk Roots/Foolk Branches. (Photo: Campbell Hendery)

--Mike Regenstreif