Stranger Songs with Mike Regenstreif finds connections and develops themes in various genres. The show is broadcast on CKCU, 93.1 FM, in Ottawa on Tuesdays from 3:30 until 5 pm (Eastern time) and is also available 24/7 for on-demand streaming.
Folk-rooted and folk-branched reviews, commentaries, radio playlists and suggestions from veteran music journalist and broadcaster Mike Regenstreif.
Saturday, June 1, 2024
Stranger Songs with Mike Regenstreif – CKCU – June 11, 2024: Songs for Fathers
Stranger Songs with Mike Regenstreif finds connections and develops themes in various genres. The show is broadcast on CKCU, 93.1 FM, in Ottawa on Tuesdays from 3:30 until 5 pm (Eastern time) and is also available 24/7 for on-demand streaming.
Wednesday, March 30, 2022
Stranger Songs with Mike Regenstreif – CKCU – Tuesday April 5, 2022: Remembering John Prine
Stranger Songs with Mike Regenstreif finds connections and develops themes in various genres. The show is broadcast on CKCU in Ottawa on Tuesday afternoons from 3:30 until 5 pm (Eastern time) and is also available 24/7 for on-demand streaming.
CKCU can be heard live at 93.1 FM in Ottawa and https://www.ckcufm.com/ on the web.
This episode of Stranger Songs was prerecorded at home and can already be streamed on-demand by clicking on “Listen Now” at … https://cod.ckcufm.com/programs/595/55771.html
Theme: Remembering John Prine (1946-2020). John died on April 7, 2020 from COVID-19 at age 73 – an early victim of the pandemic.
John Prine- Souvenirs
Souvenirs (Oh Boy)
Steve Goodman- Blue Umbrella
Jessie’s Jig & Other Favorites (Red Pajamas)
Bonnie Koloc- Clocks & Spoons
Timeless (Mr. Biscuit)
Tim Grimm- Sam Stone
Names (Wind River)
John Prine- Boundless Love
The Tree of Forgiveness (Oh Boy)
Reggie Harris- Hello In There
On Solid Ground (Reggie Harris Music)
Nanci Griffith with John Prine- Speed of the Sound of Loneliness
Other Voices/Other Rooms (Elektra)
John McCutcheon- The Night That John Prine Died
Cabin Fever: Songs from the Quarantine (Appalsongs)
Ellis Paul- Angel from Montgomery
Ellis Paul’s Traveling Medicine Show Vol. 1 (Rosella)
Leo Gillespie- Aimless Love
Leo Gillespie (Leo Gillespie)
John Prine & Iris DeMent- In Spite of Ourselves
In Spite of Ourselves (Oh Boy)
Rob Lutes- Rocky Mountain Time
Walk in the Dark (Lucky Bear)
Tim & Mollie O'Brien- Unwed Fathers
Sugar Hill Records: A Retrospective (Sugar Hill)
John Prine- Egg & Daughter Night, Lincoln Nebraska, 1967 (Crazy Bone)
The Tree of Forgiveness (Oh Boy)
Bonnie Koloc- Sabu Visits the Twin Cities Alone
Timeless (Mr. Biscuit)
John Prine- Please Don’t Bury Me
Souvenirs (Oh Boy)
Mark Haines & Tom Leighton- That’s the Way the World Goes Round
Hand to Hand (Borealis)
Keith Sykes & John Prine- Everybody Wants to Feel Like You
Don’t Count Us Out (Syren)
John Prine- Spanish Pipedream
Live at The Other End, December 1975 (Rhino)
Folkapotamus- I Remember Everything
We’ll Dance Again (PhatCat)
John Prine- Fish and Whistle
Souvenirs (Oh Boy)
Johnny Cash- Paradise
Personal File (Columbia/Legacy)
John Prine- When I Get to Heaven
The Tree of Forgiveness (Oh Boy)
Next week: Songs and Conversation with Eliza Gilkyson
Find me on Facebook. facebook.com/mikeregenstreif
--Mike Regenstreif
Tuesday, August 4, 2020
Michael Peter Smith 1941-2020
Although I’ve known for five or six weeks that this news was coming soon, I am deeply saddened today to learn that Michael Peter Smith died yesterday of colon cancer at age 78.
Let us go to the banks of the
ocean
Where the walls rise above the Zuiderzee
Long ago, I used to be a young man
And dear Margaret remembers that for me
–The chorus of “The Dutchman” by Michael Smith
I was introduced to the
songwriting of Michael Smith in 1972 when Steve Goodman led off Somebody
Else’s Troubles, his second LP, with Michael’s song, “The Dutchman.” The
song stunned me with its lyrical and melodic beauty and with how deeply the
depth of the Dutchman’s character and his dementia was compassionately revealed.
In 1973, when Steve did a four or five-night gig in Montreal, I got to spend
some time with him and he told me a little about Michael and did several more
of his great songs.
Many years later, probably sometime around the turn of this century, the
great songwriter Tom Russell and I were talking about songs and
songwriters and we both picked “The Dutchman” as an all-time favorite song. Tom
later recorded a great version of “The Dutchman” on his 2003 album, Modern
Art.
It was at some folk festival somewhere in the mid-1980s – I went to a lot
of festivals in those days – that I first met Michael and saw him perform. I do
recall that it was my late close friend Bruce Kaplan, the founder
of Flying Fish Records in Chicago, who introduced us around the time that
Michael made his first Flying Fish album. Michael was a riveting performer on
stage – then and every time I saw him.
I didn’t get many chances to spend time with Michael – maybe a half-dozen
or so times over the years – but I think of several occasions in recent years
that I so enjoyed his company and being in his audience. In 2003, Michael came
to the Champlain Valley Folk Festival in Vermont as part of Fourtold – a group he formed with Anne
Hills, Steve Gillette and Cindy Mangsen – where I was one of the MCs. I was thrilled to have Michael participate
in the songwriters’ workshop I hosted annually for seven years at Champlain
Valley.
In 2005, when the Folk Alliance International conference was held in Montreal, I invited several performers from the conference to perform live on my Folk Roots/Folk Branches show on CKUT and one of my most cherished radio memories is of Michael and Anne Hills singing their beautiful duet version of “The Dutchman” while I sat two or three feet away in the studio.
Our most recent in-person visit was in December 2014 when Sylvie and I
were on vacation on the Gulf Coast in Florida and Michael was doing a Sunday
afternoon concert in Tampa, about a 40-minute drive from where we were. The
concert was superb and it was great to spend some time with him before and after
the show. I treasure the photo – which I call “Michaels with Folded Arms” – that
Sylvie took during our visit that day.
Sadly, Michael’s passing comes less than six months after Barbara Barrow, his wife of 52 years and frequent singing
partner, died from complications of Parkinson’s disease.
During his final weeks in hospice, Michael was cared for by Jamie O’Reilly, his long-time agent and musical collaborator, and by Anne
Hills. On Facebook today, Jamie said Michael made this statement 13 days ago: “And
then I realized my life was totally complete and everything I asked for in my
life was there. Was there for me. And I felt so grateful. I felt so grateful. I
had a wonderful true-life adventure.”
I always include an extended feature when I host the Saturday Morning
show on CKCU in Ottawa every fourth week and on June 22, 2019 the feature was “Songs
of Michael Smith” – 15 of his songs performed by Michael and a bunch of other
artists. You can stream the show by clicking on “LISTEN NOW” at this link.
Michael left us with so many great songs and recordings. I don’t imagine that I will ever stop listening to them or stop playing them on my future radio shows. One of his songs I’ll be playing when I next host the Saturday Morning show on August 15 is “We Become Birds.”
Do you see birds on trees
How they leave to get a drink or a bite to eat
Fly away and others follow
And the whole day goes by
Birds and more birds
We become birds when we die
We fly away but we come back
We become birds when we die
When you're put here it's for a
reason
Think of all the people the Lord hasn't sent here
I'm so happy I've been given this time here
Don't want to waste my time on this earth
And the whole day goes by
Birds and more birds
We become birds when we die
We fly away but we come back
We become birds when we die
He won't hand you
A piece of paper with a map on it no sir
He'll whisper something
And at first you might not even hear
It may take time
You may make mistakes
But if you pray
He'll lead you to your direction
And the whole day goes by
Birds and more birds
We become birds when we die
We fly away but we come back
We become birds when we die
I know because sometimes I just
want to
Lift off
Go right to the mesa and
Have a feast
Eat our bread
Stand in a circle
Hear my grandmother talk about our people
Although I’ve never been one to believe in such things as reincarnation,
I do imagine that Michael Smith must now be a bird, perhaps singing on “the
banks of the ocean where the walls rise above the Zuiderzee.”
Find me on Twitter. www.twitter.com/mikeregenstreif
And on Facebook. facebook.com/mikeregenstreif
–Mike Regenstreif
Tuesday, April 7, 2020
John Prine 1946-2020
I was introduced to John backstage when he came to perform in Montreal for the first time in 2001 and mentioned that we’d met once before, about 25 years earlier. John looked me up and down and said something like, “Oh yeah, Steve Goodman introduced us at Mariposa.” He was absolutely correct.
Here is my
Montreal Gazette interview with John, published on April 19, 2005.
Prine in his prime
Musician and former mailman was honoured last month
at Library of Congress as ‘a genuine poet of the American people’
By Mike Regenstreif
After a stint in the army in the 1960s, John Prine spent six years as
a mailman in Chicago and started making up songs as a way to amuse himself as
he walked his route.
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He certainly couldn’t have imagined then that one day he’d be honoured as a major literary figure for his songwriting at the Library of Congress in Washington, D.C. But there he was last month, being described by Ted Kooser, the poet laureate of the United States, as “a truly original writer, unequaled, and a genuine poet of the American people.”
Prine was still a mailman when he wrote classic songs like Sam Stone, Hello in There, Angel from Montgomery and Illegal Smile and started playing them at open-mike nights at the Earl of Old Town, a Chicago folk club. Heard at the Earl by Kris Kristofferson, who became his champion, Prine was signed to Atlantic Records which released his self-titled debut album in 1971.
Prine’s songs have been covered by artists ranging from Bette Midler and Bonnie Raitt to Johnny Cash and Nanci Griffith. Prine’s last two albums were 1999’s In Spite of Ourselves, a collection of country standards sung as duets with a variety of women singers, and Souvenirs, a set of early Prine songs that he re-recorded in 2000.
On April 26, Prine will release Fair & Square, his first album of new material since Lost Dogs and Mixed Blessings came out a decade ago. Though he rarely agrees to interviews, he spoke by phone last week from his home in Nashville.
Prine, who became a father at the age of 49, pointed to parenthood for a slowdown in his output of new material. “My two sons are 9 and 10. They were born when I went out on the road with Lost Dogs and Mixed Blessings. The kids have a tendency to keep you busy.”
In writing songs for the new album, Prine had to make appointments with himself to find the time. “I used to sit around and wait for lightning to strike. But you can’t do that when you’ve got stuff to do all day with the kids.”
Something else that held Prine back for some time was a bout with neck cancer seven years ago. “I had a radical neck dissection and they had to do radiation across my throat for six weeks.”
Prine says he’s healthy now. “Things are going great. I go back once a year for a checkup and they tell me I don’t need to be there.”
The fact that Prine has owned Oh Boy Records, his own label, for 20 years also meant there wasn’t the typical record company pressure to keep the product flowing. After a series of albums in the 1970s and early-’80s for Atlantic and Asylum, Prine walked away from the majors to do Aimless Love in 1984.
“I didn’t think that the major labels were doing the same thing that I was doing. Mainly they want pop records that sell a lot and I could feel a lot of frustration with them trying to get my stuff on the radio. It was like working at a factory that you didn’t like so I decided to ... go directly to the people who were coming to the shows.”
By the time Prine did German Afternoons, his second indie album in 1986, he knew that he’d never go back to the majors. “I was in the studio singing the thing and people had already paid for it. It broke even before it came out. You can’t do that with a major label.”
Prine’s label has done so well that he’s signed several other artists to it including Janis Ian and Kristofferson, his early booster.
Prine has never shied away from confronting serious issues in his songs. Sam Stone, from his first album, tells the story of a soldier who fought in Vietnam and came home addicted to drugs.
“If somebody had asked me back then if I thought that 30 years later I’d be playing it, I’d probably have said no.”
Nor have politicians stopped leading the next generations of Sam Stones into war. In a spoken word passage from Some Humans Ain’t Human on the new album, Prine sings about how “some cowboy from Texas starts his own war in Iraq.”
Prine, whose wife, Fiona, is from Ireland, wrote the song when they were there on a family visit at the same time that President George W. Bush made his own visit to Ireland. “Tens of thousands of people turned out to demonstrate against him and against the U.S. being in Iraq, but they hid all those people, keeping them about 15 miles from the airport.”