Showing posts with label Zoë Carpenter. Show all posts
Showing posts with label Zoë Carpenter. Show all posts

Tuesday, July 23, 2013

Lauren Sheehan – The Light Still Burns



LAUREN SHEEHAN
The Light Still Burns
Wilson River Records 
laurensheehanmusic.com

“Only a Gibson is good enough” was a banner slogan that adorned about 10,000 guitars produced by the Gibson Guitar Company of Kalamazoo, Michigan during the Second World War. With almost all the male workforce off to the War, the Gibson factory – like so many others at that time – employed mostly women. While the slogan itself was questionable (I’m more of a Martin-fancier myself), there is no denying that these “Banner” Gibsons were very good, sometimes great, instruments. A new book, Kalamazoo Gals: A Story of Extraordinary Women & Gibson’s “Banner” Guitars of WWII by John Thomas, was published this year.

The Light Still Burns by Lauren Sheehan is a companion CD to the book (author Thomas is a
co-producer of the album) on which she plays a different Banner Gibson built between 1942 and 1944 on each of the dozen tracks. With one exception – “Hard Times” by Gillian Welch and David Rawlings – these are all songs and tunes that could have been played on these guitars when they were brand new. In the CD booklet, Lauren notes these were songs that came to mind as she read the stories in the book and they range from jazzy blues like “I Wish I Could Shimmy Like My Sister Kate,” to “Home on the Range,” probably the most famous of all cowboy songs, as well as folk songs, parlor songs, gospel pieces and some intricate instrumentals (although I’ve heard many versions of “Soldier’s Joy” over the years, I didn’t know what soldier’s joy actually was until I read Lauren’s notes).


Given the circumstances of when these guitars were made, and who made them, the most poignant track is the medley of “When Johnny Comes Marching Home,” which dates from the American Civil War, and the traditional Irish song, “Johnny I Hardly Knew Ya.”

As I noted in my review of her earlier album, Rose City Ramble, Lauren is a lovely singer who knows how to use her voice to great effect and is an accomplished guitarist who crafts excellent arrangements for each of the songs she chooses. Most of the tracks are solo performances but she’s joined by guitarist John Schwab – also playing a Gibson Banner guitar – on “Soldier’s Joy” and by her daughter, Zoë Carpenter, who sings harmony on “Home on the Range” and a medley of “In the Sweet Bye and Bye/Keep on the Sunnyside.”

Each of Lauren’s previous albums has been a treat to hear and The Light Still Burns is no exception. The album title, by the way, comes from a Gibson magazine ad from 1943 – a reference to keeping the light burning while the boys were away at the war.

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--Mike Regenstreif

Sunday, January 8, 2012

Lauren Sheehan – Rose City Ramble

LAUREN SHEEHAN
Rose City Ramble
Wilson River Records

Six years ago, in a Sing Out! magazine review of her second album, Two Wings, I wrote that Lauren Sheehanis one of the best interpreters of the [blues] genre to step forward in the past several years.” I still think that but notice that she refers to herself, on her website, as an “American roots songster.” I like that description as it recalls great musical forebears like Mississippi John Hurt, Lead Belly, and Mance Lipscomb, who, though blues-based, drew inspiration and material from wherever they chose and were thus often referred to as songsters rather than blues musicians.

On Rose City Ramble, her third album, Lauren is very much in that songster tradition. Some of the material is, indeed, straight out of the blues tradition, but she also draws on bluegrass, country, Appalachian folk balladry, and contemporary folk, often combining strains of one influence or another. For example, she finds and brings out the blues inherent and at the essence of Hank Williams’ “I’m So Lonesome I Could Cry,” one of the greatest of all country classics, and also in “The Memory of Your Smile,” a bluegrass classic from the Stanley Brothers repertoire.

You can also feel the blues at the base of “Chilly Winds,” an original song based on the traditional Appalachian ballad, “Cold Rain and Snow,” and in her interpretation of the traditional “Black is the Color (of My True Love’s Hair).” And Lauren’s version of the latter song is very different from that of Nina Simone, who also turned the ancient Celtic song blue.

Among the other highlights on this excellent CD are “Oh, the Candyman,” a swinging variation on “Candy Man” that is very different from either of the standard versions associated with Reverend Gary Davis and Mississippi John Hurt; a rendition of Blind Willie McTell’s “In the Wee Midnight Hours” featuring sweet harmonies from Zoë Carpenter, Lauren’s daughter, and some haunting harmonica playing by Johnnie Ward; and “Louie’s Blues,” an original tune that draws inspiration and some lyrics from Howard (“Louie Bluie”) Armstrong.

Lauren has a lovely voice that she knows how to use to great effect, she’s an accomplished player whether on guitar, banjo or mandolin, and whether playing solo or with small ensembles, she’s crafted terrific arrangements well suited to each song.

--Mike Regenstreif