Saturday Morning with Mike Regenstreif – CKCU – Saturday February 25, 2023

Saturday Morning is an eclectic roots-oriented program on CKCU in Ottawa heard on Saturday mornings from 7 until 10 am (Eastern time) and available for on-demand streaming anytime. I am one of the four rotating hosts of Saturday Morning and base my programming on the Folk Roots/Folk Branches format I developed at CKUT in Montreal.

CKCU can be heard live at 93.1 FM in Ottawa and https://www.ckcufm.com/ on the web.

This episode of Saturday Morning was recorded and can already be streamed on-demand at … https://cod.ckcufm.com/programs/128/59512.html

Odetta- Mr. Tambourine Man

Odetta Sings Dylan (RCA)

Ben Sures- Cry Like a Flood

The Story That Lived Here (Ben Sures)

Kat Goldman- Gypsy Girl

Gypsy Girl (Kat Goldman)

Jason Lang- Firewater

Handled with Care (Famgroup/Genison Music)

Ken Pearson, Penny Lang & Mike Regenstreif (1976) photo: Felicity Fanjoy

Penny Lang- It’s Not Easy

Stone + Sand + Sea + Sky (Borealis)

Jason Lang- Senses of Your Leave

Handled with Care (Famgroup/Genison Music)

Ramblin' Jack Elliott & Mike Regenstreif (2006)

Ramblin' Jack Elliott- South Coast

South Coast (Red House)

Hoyt Axton- Evangelina

The A&M Years (A&M)

Mark Rubin – Jew of Oklahoma- Good Shabbes

The Triumph of Assimilation (Rubinchik)

Bonnie Raitt- Just Like That

Just Like That (Redwing)

Mike Regenstreif & Jesse Winchester (2006)

Jesse Winchester- That’s What Makes You Strong

Gentleman of Leisure (Sugar Hill)

Emily White- Stone in Your Pocket

Songs You Didn’t Know I Wrote About You (Squeezed Fresh Productions)

Benny Bleu- Lost Goose

March of the Mollusk (Benny Bleu Haravitch)

Taivi- Ukraiyna

Ukraiyna – single (Taivi)

John McCutcheon- Ukrainian Now

Ukrainian Now – single (Appalsongs)

Artists for Action- Which Side Are You On? *

Which Side Are You On? – single (Figs D Music)

Mike Regenstreif & Eric Bibb (2005)

Eric Bibb- Masters of War

Migration Blues (Stony Plain)

*The Artists for Action singers and musicians are, in alphabetical order, Black Umfolosi, Ray Bonneville, Bruce Cockburn, Chris Corrigan, Guy Davis, Ani DiFranco, Maria Dunn, Adam Hill, Bob Jensen, James Keelaghan, Richard Knox, Lucy MacNeil, Tony McManus, Moulettes, Oysterband, Richard Perso, Heather Rankin, Martin Simpson, and Jon Weaver.

The Vanier Playboys- Reach Out and Touch a Hand

Deux (The Vanier Playboys)

Ball & Chain & The Wreckers- More

Satisfied (Ball & Chain)

Mike Regenstreif & Lynn Miles (2013)

Lynn Miles- Hockey Night in Canada

Black Flowers Vol. 3 (Lynn Miles)

Moore & McGregor- Don’t Let Us Get Sick

Dream with Me (Ivernia)

Eric Kilburn- Waiting at Your Door

Reckonings (Wellspring)

Shelley Posen- Long, Long Tunnel

Old Loves (Well Done Music)

Doug Cox & Linda McRae- Ready for the Times to Get Better

Beyond the Great Pause (42 RPM)

Annie Capps- Two Different Things

How Can I Say This? (Yellow Room)

Jaimee Harris- Love is Gonna Come Again

Boomerang Town (Thirty Tigers)

Danny Britt- Friends and Memories

All Over the Map (Red Dawg Music)

Taraf Syriana- Abdul Karim’s Tango

Taraf Syriana (Lulaworld)

Reggie Garrett- Stagecoach Mary

York’s Lament & other stories (WonderDog)

Dom Flemons- Steel Pony Blues

Dom Flemons Presents Black Cowboys (Smithsonian Folkways)

Odetta- Rock Island Line

Lookin’ for a Home: Thanks to Leadbelly (M.C.)

Preservation Hall Jazz Band & Ani DiFranco- Freight Train

Preservation (Preservation Hall)

Julian Taylor- 100 Proof

Beyond the Reservoir (Howling Turtle)

Mavis Staples & Lucky Peterson- Wade in the Water

Spirituals & Gospel (Gitanes)

Dave Rudolf- Mary Don’t You Weep

Traditional (MoneyTree)

Reggie Harris- Sheep, Sheep/Little David

Ready to Go (Reggie Harris Music)

The Klezmatics & Joshua Nelson- Didn’t It Rain

Brother Moses Smote the Water (Piranha)

Last Forever with John Cohen- Dillard Chandler

No Place Like Home/Last Forever (2nd Story Sound)

John Cohen- The Story That the Crow Told Me

Stories the Crow Told Me (Acoustic Disc)

Grateful Dead- Uncle John’s Band

Workingman’s Dead (Warner Bros./Rhino)

The Dumptrucks- Friend of the Devil

Selections (Laughing Cactus)

The Persuasions- Ripple

Might as Well: The Persuasions Sing Grateful Dead (Grateful Dead)

CornMaiz Stringband- Jubilee

Fresh-Picked Kentucky Music (CornMaiz Stringband)

I’ll be hosting Saturday Morning next on March 25. I also host Stranger Songs on CKCU every Tuesday from 3:30-5 pm. 

Find me on Facebook. facebook.com/mikeregenstreif

--Mike Regenstreif

John Prine 1946-2020

I was devastated tonight when the news broke that John Prine, one of the greatest of the folk-rooted singer-songwriters, had died following a battle with COVID-19 at age 73.

I met John a few times over the years. I got to hang out with him a couple of times. Saw him do a few concerts, and interviewed him a couple of times – once for radio and once for the Montreal Gazette. 

I was introduced to John backstage when he came to perform in Montreal for the first time in 2001 and mentioned that we’d met once before, about 25 years earlier. John looked me up and down and said something like, “Oh yeah, Steve Goodman introduced us at Mariposa.” He was absolutely correct.

When Sylvie and I were on vacation in Florida in December, John was doing a concert nearby at Ruth Ekerd Hall in Clearwater and we went to see him. It was a fabulous show but I didn’t try and go back to say hello because I knew that John was scheduled to be at the National Arts Centre here in Ottawa this coming July, that it would be easier to connect then. But that was before this horrible pandemic hit.

My deepest condolences to Fiona Prine, their sons, and all of John’s loved ones – and to all of us who loved his songs.

Here is my Montreal Gazette interview with John, published on April 19, 2005. Prine in his prime Musician and former mailman was honoured last month at Library of Congress as ‘a genuine poet of the American people’ By Mike Regenstreif After a stint in the army in the 1960s, John Prine spent six years as a mailman in Chicago and started making up songs as a way to amuse himself as he walked his route.

 
He certainly couldn’t have imagined then that one day he’d be honoured as a major literary figure for his songwriting at the Library of Congress in Washington, D.C. But there he was last month, being described by Ted Kooser, the poet laureate of the United States, as “a truly original writer, unequaled, and a genuine poet of the American people.”

Prine was still a mailman when he wrote classic songs like Sam Stone, Hello in There, Angel from Montgomery and Illegal Smile and started playing them at open-mike nights at the Earl of Old Town, a Chicago folk club. Heard at the Earl by Kris Kristofferson, who became his champion, Prine was signed to Atlantic Records which released his self-titled debut album in 1971.

Prine’s songs have been covered by artists ranging from Bette Midler and Bonnie Raitt to Johnny Cash and Nanci Griffith. Prine’s last two albums were 1999’s In Spite of Ourselves, a collection of country standards sung as duets with a variety of women singers, and Souvenirs, a set of early Prine songs that he re-recorded in 2000.

On April 26, Prine will release Fair & Square, his first album of new material since Lost Dogs and Mixed Blessings came out a decade ago. Though he rarely agrees to interviews, he spoke by phone last week from his home in Nashville.

Prine, who became a father at the age of 49, pointed to parenthood for a slowdown in his output of new material. “My two sons are 9 and 10. They were born when I went out on the road with Lost Dogs and Mixed Blessings. The kids have a tendency to keep you busy.”

In writing songs for the new album, Prine had to make appointments with himself to find the time. “I used to sit around and wait for lightning to strike. But you can’t do that when you’ve got stuff to do all day with the kids.”

Something else that held Prine back for some time was a bout with neck cancer seven years ago. “I had a radical neck dissection and they had to do radiation across my throat for six weeks.”
Prine says he’s healthy now. “Things are going great. I go back once a year for a checkup and they tell me I don’t need to be there.”

The fact that Prine has owned Oh Boy Records, his own label, for 20 years also meant there wasn’t the typical record company pressure to keep the product flowing. After a series of albums in the 1970s and early-’80s for Atlantic and Asylum, Prine walked away from the majors to do Aimless Love in 1984.

“I didn’t think that the major labels were doing the same thing that I was doing. Mainly they want pop records that sell a lot and I could feel a lot of frustration with them trying to get my stuff on the radio. It was like working at a factory that you didn’t like so I decided to ... go directly to the people who were coming to the shows.”

By the time Prine did German Afternoons, his second indie album in 1986, he knew that he’d never go back to the majors. “I was in the studio singing the thing and people had already paid for it. It broke even before it came out. You can’t do that with a major label.”

Prine’s label has done so well that he’s signed several other artists to it including Janis Ian and Kristofferson, his early booster.

Prine has never shied away from confronting serious issues in his songs. Sam Stone, from his first album, tells the story of a soldier who fought in Vietnam and came home addicted to drugs.

“If somebody had asked me back then if I thought that 30 years later I’d be playing it, I’d probably have said no.”

Nor have politicians stopped leading the next generations of Sam Stones into war. In a spoken word passage from Some Humans Ain’t Human on the new album, Prine sings about how “some cowboy from Texas starts his own war in Iraq.”

Prine, whose wife, Fiona, is from Ireland, wrote the song when they were there on a family visit at the same time that President George W. Bush made his own visit to Ireland. “Tens of thousands of people turned out to demonstrate against him and against the U.S. being in Iraq, but they hid all those people, keeping them about 15 miles from the airport.”

Like much of Prine’s output, the songs on Fair & Square feel new and unique yet instantly familiar. Whether filled with humour like Crazy as a Loon, a send-up of ephemeral fame and stardom, or a sad love song like The Moon Is Down, Prine’s lyrics are beautifully crafted and his melodies the model of perfect simplicity.

Find me on Twitter. www.twitter.com/mikeregenstreif

And on Facebook. facebook.com/mikeregenstreif

–Mike Regenstreif

Various Artists – …. First Came Memphis Minnie

VARIOUS ARTISTS
…. First Came Memphis Minnie
Stony Plain 
stonyplainrecords.com

Memphis Minnie (1897-1973), who began her recording career in the early-1930s, was a pioneering and influential blues artist and certainly the most prominent example of a female blues singer from that era who accompanied herself on guitar. Until Minnie came along, female blues singers – like Bessie Smith, Victoria Spivey, Alberta Hunter and so many others – generally fronted traditional jazz bands or worked with a piano player. Minnie, though, could play guitar as well or better than any male artist and was a role model to generations of female musicians who followed in later decades.

…. First Came Memphis Minnie is a set of 13 songs from Memphis Minnie’s repertoire assembled by Maria Muldaur.

Maria, herself, is the dominant artist in the collection with eight songs taken from a couple of the terrific acoustic blues albums she’s done in recent years – two from Richland Woman Blues and six from Sweet Lovin’ Ol’ Soul – on which she’s backed by such great musicians as Del Rey, Steve James and Dave Earl. Two of the most exciting songs, “I’m Goin’ Back Home” and “She Put Me Outdoors,” are terrific duets with Alvin Youngblood Hart playing Joe McCoy to Maria’s Minnie.

The three tracks recorded just for this album are all superb. Bonnie Raitt, playing acoustic guitar, does a great job on “Ain’t Nothin’ in Ramblin’,” proving – as if there were any doubt – she is still a remarkable purveyor of acoustic blues when she wants to be. Rory Block, one of today’s greatest acoustic blues artists, does a soulful solo arrangement of “When You Love Me” with some excellent slide playing, and Ruthie Foster offers a delightfully sassy take on “Keep Your Big Mouth Closed.”

Rounding out the album are two other previously released tracks. The late Phoebe Snow, with backing from David Bromberg, is featured on an elegant version of “In My Girlish Days” from her 1976 album, It Looks Like Snow (Phoebe never did enough of this kind of material), and the late Koko Taylor finishes the album with “Black Rat Swing,” from her 2007 release, Old School, the album’s only contemporary Chicago-style electric track.

Starting with the songs from her own albums and rounding the tribute out with five offerings from other artists, Maria Muldaur has assembled a worthy tribute to one of the most important figures in blues history.

Find me on Twitter. twitter.com/@mikeregenstreif

And on Facebook. facebook.com/mikeregenstreif

--Mike Regenstreif