Showing posts with label Toshi Seeger. Show all posts
Showing posts with label Toshi Seeger. Show all posts

Tuesday, January 28, 2014

Pete Seeger 1919-2014



I was deeply saddened this morning to awake to the news that Pete Seeger, always one of the most inspiring people I’ve ever known, passed away of natural causes at age 94. He His wife, Toshi, died last year after nearly 70 years of marriage.


In a post marking Pete’s 90th birthday, I recalled listening to Pete’s music since I was a young kid and that I was 20 years old in 1974 when I first met and worked with him when I was an area co-ordinator/stage manager at the Mariposa Folk Festival and Pete’s concert was on my stage.

I am grateful for having had the opportunity to have known Pete for most of my life and to have enjoyed some small measure of friendship.

I’ve interviewed Pete a number of times, both for radio and newspapers. When Pete did a surprise
Canadian tour of small venues in 2008, I interviewed him for the July 3, 2008 issue of the Montreal Gazette (the article also appeared in several other newspapers).

The first thing Pete said to me when I called him for the interview was, “What can I possibly tell you that you don’t already know?”

There was – there is – always a lot to learn from Pete Seeger.

Here is that article.

Pete Seeger returns to Montreal

Mike Regenstreif
Special To The Gazette

The last time I interviewed Pete Seeger was in 1999 just as he was about to turn 80. He was planning to stay close to his Hudson River Valley home and just play a few songs occasionally for school kids or at benefit concerts. It was unlikely, he said then, that he’d travel far enough from home to perform in Montreal again.

Almost a decade later, though, the still-vigorous Seeger is on his way back to Montreal. His July 5 concert here kicks off a quickly-arranged, and quickly sold-out, tour of small venues that also takes him to Toronto, for two nights, Kingston and Ottawa in the company of acoustic blues revivalist Guy Davis and his grandson, Tao Rodriguez-Seeger of the folk-rocking Mammals. The three will share the stage, swapping songs and backing each other.

Reached at his home overlooking the Hudson River in upstate New York, Seeger told me he has fond memories of performing in Montreal.

Sam Gesser hired me when nobody else would,” Seeger said, referring to the late Montreal impresario who broke into the concert business with a Seeger concert in 1952 when most of the folksinger’s performing opportunities were lost to the McCarthy-era blacklist. Gesser, who died April 1, brought Seeger to Montreal often over the next four decades.

Seeger is one of the most revered musicians of all time and has been a major influence on the likes of Bob Dylan, Bruce Springsteen – who’s done two albums of songs he learned from Seeger LPs – and almost everyone else who’s picked up a banjo or acoustic guitar in the past 60 years.

Seeger’s lengthy résumé includes forming two legendary folk groups: the Almanac Singers, with Woody Guthrie, before both shipped out to serve in the Second World War; and the Weavers, the group that brought folk music to the pop charts with "Goodnight Irene" and "Tzena Tzena Tzena" in 1949 before being blacklisted. Seeger has written or co-written scores of enduring songs, including "Where Have All the Flowers Gone" and "If I Had a Hammer," has made hundreds of recordings, and has been at the forefront of the civil rights, peace and environmental movements.

“I really don’t take concert tours anymore,” Seeger said when asked about what made him decide to do this four-city Canadian jaunt. “But my grandson, Tao, is a great performer, and Guy Davis is a great performer, so I decided to do a few things with them. The five concerts I’m doing in Canada are more than I’m doing almost anywhere else.”

Talking to Seeger now, he seems motivated by many of the same concerns that spurred his activism decades ago. “I think there’s a chance the human race will survive,” he said. “I’m not as pessimistic as I was after Hiroshima,” referring to the atomic blast that spurred a lifetime’s devotion to the peace movement. During the Iraq War, Seeger has been leading weekly peace vigils near his home.

One of Seeger’s greatest successes as an activist has been leading the movement to clean up the Hudson River. The river was horribly polluted when he founded the Clearwater organization in the 1970s. Now, he points out, people swim safely in many parts of the Hudson.

In separate interviews, Guy Davis and Tao Rodriguez-Seeger both spoke about being directly influenced by Seeger as children.

Davis’s parents, the actors Ossie Davis and Ruby Dee, were longtime friends of the Seeger family. In 1960, eight-year-old Guy developed a love for the banjo while attending Camp Killooleet, a kids’ camp in Vermont that was run by John Seeger, Pete’s brother. Ossie Davis bought his son a banjo and the youngster learned the instrument from Seeger’s classic book, How to Play the Five-String Banjo.

“Over the years, Pete sparked my interest in Big Bill Broonzy and Lead Belly, both of whom he had known, and my interest in the 12-string guitar began to grow. One thing led to another and I wound up going on the road with Pete as an opening act in the mid-70s,” said Davis. “This tour’s going to be a wonderful hoot.”

Rodriguez-Seeger grew up playing music with his grandfather and began performing concerts and recording with him as a teenager in the 1980s. “We played concerts together for about 13 years.” he recalled.

Wanting to articulate his own musical ideas, Rodriguez-Seeger formed a trio with Sarah Lee Guthrie, Arlo Guthrie’s daughter, and her husband, Johnny Irion, in 1999. Two years later, he hooked up with Ruth Ungar and Michael Merenda as the Mammals.

With the Mammals currently on hiatus, Rodriguez-Seeger recently performed a concert with his grandfather and Davis at the Franklin Delano Roosevelt Presidential Library and Museum in Hyde Park, New York.

“We had a really good time,” said Rodriguez-Seeger. “We got home and Grandpa was bouncing off the wall with excitement. ‘Let’s do that again,’ he said.”

The Canadian tour was quickly arranged and generations of folk fans eagerly snapped up all available tickets.

Tuesday, July 27, 2010

Pete Seeger -- Tomorrow's Children

PETE SEEGER with THE RIVERTOWN KIDS AND FRIENDS
Tomorrow’s Children
Appleseed Records
peteseeger.net

Despite vocal powers that have diminished with age, Pete Seeger remains a vital activist, song leader and musician. Tomorrow’s Children, most of which features Pete singing with or backing up the Rivertown Kids, a group of 20 school kids from around his hometown of Beacon, New York, as well as some other kids and several adult musical friends, is an inspiring album that captures the great sage of the folk music scene doing something that he’s always loved: singing meaningful songs with members of the generation that will carry on making a difference into the future.

Pete is present on every song – variously as a musician, a chorus-singer or a song leader. But it is his inspiration on the youngsters of the Rivertown Kids – and on the adult contributors, too – that makes this album unique.

The manifesto of the Rivertown Kids is heard in “We Sing Out,” a collective song the kids wrote based on the melody of Tom Paxton’s “Can’t Help But Wonder Where I’m Bound.” The kids reject the notion that they should be seen, not heard, as they declare their interest in protecting the environment, family farms and local communities, their solidarity with the sick and the poor, and their commitment to justice and equality. Their message is repeated in the series of new verses they wrote to “We Shall Not Be Moved,” the old spiritual that Pete helped popularize as a union and civil rights anthem.

Among the adult contributors to the album are Dar Williams and David Bernz, who are heard with Pete on “Solartopia,” a new song inspired by Harvey Wasserman’s book of the same name on green energy; Sarah Underhill, who sings “River,” my favourite Bill Staines song, with Pete; and David Amram and Victorio Roland Mousaa who perform “Mastinchele Wachipi Olewan (The Rabbit Song),” a Lakota round dance song.

Ultimately, I think this album is a step in Pete’s passing of the torch to younger generations. There is a version of “Turn, Turn, Turn” with new children’s verses written by Toshi Seeger (Pete’s wife), and a version of Pete’s classic “Quite Early Morning,” sung with the Rivertown Kids, that says “And so keep on while we live/Until we have no more to give/And when these fingers can strum no longer/Hand the old banjo to young ones stronger.”

Pete wrote “Quite Early Morning” back in the late-1960s. Clearly, he wasn’t ready to give up his banjo or guitar 40-something years ago. Now, at 91, Pete Seeger still has more to give and his fingers continue to keep on strumming. And Pete's still got a firm hand on the torch.

--Mike Regenstreif