Showing posts with label Arthur McGregor. Show all posts
Showing posts with label Arthur McGregor. Show all posts

Saturday, January 28, 2017

Canadian Spaces – CKCU – Saturday January 28, 2017



CKCU can be heard at 93.1 FM in Ottawa and http://www.ckcufm.com/ on the web. This particular show is now available for on-demand listening. http://cod.ckcufm.com/programs/129/30824.html

Canadian Spaces on CKCU in Ottawa is Canada’s longest-running folk music radio program. It is heard Saturday mornings from 10:00 am until noon (Eastern time).

It was hosted for more than 33 years by the late Chopper McKinnon and is now hosted by Chris White and a rotating cast of co-hosts.

This week’s show was co-hosted by Mike Regenstreif and Chris White.

Guests: Greg Kelly; Jamie Anderson; Shirt Tearing Boys

Moore & McGregor- The McGregors/Donald Angus Beaton’s Trip to Toronto
Dream with Me (Ivernia)

April Verch- That’s How We Run
The April Verch Anthology (Slab Town)

The Bombadils- Train in the Night
New Shoes (Borealis)

Yonder Hill- Northern Lights
Yonder Hill (Yonder Hill)

Noah Zacharin- Another She
Strange Rider (Noah Zacharin)

Sue & Dwight- When the Music Stirs Her Soul
For a Moment (Sue & Dwight)

Bruce Murdoch- Anytime at All

Coco Love Alcorn- Mary Mary
Wonder Land (Coco Love Alcorn)

Doug McArthur- Tears Like Rain
Tears Like Rain (Doug McArthur)

Kaia Kater- White (Long Time Traveling)
Nine Pin (Kaia Kater)

Ian & Sylvia- Handsome Molly
Ian & Sylvia (Vanguard)

Naming the Twins- The Last Song
Turn Styles (Duet Right)

Greg Kelly- Always Hope
Live in the studio

Greg Kelly- The Last Time I Ever Said Goodbye
Ghosts (Greg Kelly)

Greg Kelly- Words Unspoken
Ghosts (Greg Kelly)

Jamie Anderson- Menopause Mambo
Dare (Tsunami)

Shirt Tearing Boys- I’m Satisfied with You
Live in the studio

Shirt Tearing Boys- Me and My Blue Satin
Live in the studio

Shirt Tearing Boys- New Moon Over My Shoulder
Live in the studio

Ten Strings and a Goat Skin- Auprès du Poêle
Auprès du Poêle (Ten Strings and a Goat Skin)

I’ll be co-hosting Canadian Spaces again on March 25.

In the meantime, I’ll be hosting Saturday Morning (7-10 am) on February 4 and March 4.

Find me on Twitter. @MikeRegenstreif

--Mike Regenstreif

Sunday, January 8, 2017

Moore & McGregor – Dream With Me



MOORE & McGREGOR
Dream with Me
Ivernia Records

Dream with Me by Moore & McGregor – veteran musicians Wendy Moore (harp, oboe, English horn, pennywhistle, vocals) and Arthur McGregor (guitar, banjo, bodhran, and most of the lead vocals) – is a marvelous debut album of songs and tunes by a duo who have long worked together (often performing kids’ shows as the Celtic Rathskallions) that includes superb original songs by Arthur, traditional Celtic tunes, and several excellent songs drawn from other writers.

Arthur’s writing is most impressive. The album opens with “The McGregors,” Arthur’s up tempo account of his family’s emigration from Scotland to Canada when he was a small child and his and the family’s embrace of their new home more than 60 years ago.

Arthur’s other songs include “Back on the Farm,” co-written with producer Paul Mills, in which the narrator celebrates his return to the family farm, and the farmer’s life, that he forsook as a young man for a nomadic life; “Dream With Me,” a beautiful love song written for Wendy; and the infectious “Dancing Shoes,” a toe-tapper that celebrates dancing and small town life.

Wendy’s contributions as an instrumentalist and occasional harmony vocalist are felt throughout the album but she is at the forefront on “Path of the Paddle,” David Archibald’s lovely hymn to canoeing on which she sings the lead vocal, and the instrumental medley of “The South Wind/The Battle of Glencoe,” two beautiful traditional tunes she plays on the harp.

The rest of the album is equally strong but I particularly love their interpretation of Warren Zevon’s “Don’t Let Us Get Sick,” a song that is a kind of off-centre prayer and affirmation; and their version of “Summertime,” the Gershwin classic from “Porgy and Bess” set at the corner of Folk, Blues and Jazz Streets. Wendy’s oboe playing on this track is positively haunting.

In addition to Wendy and Arthur, the only other musicians are Curly Boy Stubbs (Paul Mills) on guitar, mandolin and percussion and David Woodhead, the always inventive bassist. The arrangements and contributions of all the singers and players always serve the best interests of the songs.

A gem of an album to begin the new year.

Find me on Twitter. twitter.com/@mikeregenstreif

And on Facebook. facebook.com/mikeregenstreif

--Mike Regenstreif

Thursday, July 23, 2015

The Ottawa Folklore Centre closes



Ottawa Folklore Centre (Google Streetview)

The folk music community in Ottawa, in Ontario, and, indeed, across Canada, was dealt a harsh blow today with the announcement that the Ottawa Folklore Centre has fallen into bankruptcy and has closed.

The announcement came in a letter to the community (see below) from Arthur McGregor, who founded the Ottawa Folklore Centre in 1976 and ran it with tremendous dedication and love for nearly four decades – most of his adult life. As Arthur writes in his letter, it has been his life’s work.

The Ottawa Folklore Centre was never just a musical instrument store. It was also a music school where skilled musicians taught novices how to sing and play guitar, banjo, ukulele, mandolin, fiddle and who knows what else. It published songbooks by the likes of Stan Rogers and Bruce Cockburn and it was a community gathering point. The Ottawa Folklore Centre was a place to drop in and hang out. It was a great source of information about what was happening on the folk scene. The Ottawa Folklore Centre was a beloved community institution that nurtured and supported other community institutions – from the Ottawa Folk Festival to Canadian Spaces on CKCU to the Canadian Folk Music Awards, Rasputin’s Folk Café, Irene’s, the Black Sheep Inn, the Ottawa Grassroots Festival, and virtually every other festival, concert venue and music producer in the region.

But, noting all of that, and so many other incredible accomplishments, doesn’t begin to address the real, lasting contribution of the Ottawa Folklore Centre – which was to make folk music an accessible, affordable, participatory part of people’s lives.

Arthur McGregor performing at the 2013 Ottawa Folk Festival. (Mike Regenstreif)
I know that running a business like the Ottawa Folklore Centre has never been easy. But it’s been more than a business – for Arthur, in particular, but also for just about everyone else who has ever worked there – it’s been a calling. Most of the folklore centres I got to hang out as a young folkie – the legendary New York Folklore Center, the Toronto Folklore Centre, and the Montreal Folklore Centre – were gone by the 1980s. A select few – the Denver Folklore Center, the Halifax Folklore Centre, and, until now, the Ottawa Folklore Centre, come to mind – have endured. I hope their communities know what treasures these places are.

I have some idea of how tough it’s been for Arthur to keep the Ottawa Folklore Centre going over the past number of years. And while most business-oriented people might have called it a day long ago, Arthur kept on keeping on because, deep down, he knew how important the Ottawa Folklore Centre has been to our community.

Thirty-eight years! It’s been a great run, Arthur. The entire folk music community is giving you a well-deserved standing ovation for all that you’ve done and accomplished with the Ottawa Folklore Centre.

Arthur’s letter:

Thursday, July 23, 2015

There are few things more important to me than folk music and the deep community that it engenders. I have dedicated most of my life to this community.  For the past 38 years the main symbol of that dedication has been the Ottawa Folklore Centre. I opened it on Bronson Avenue in 1976 and later, Terry Penner, my late wife, and I moved it to its present location on Bank Street. These thirty-eight years have not been easy but I have continued, with the help of family and friends…hundreds, in the face of many challenges and been proud of what we have accomplished. I have persisted in upholding the original vision of the OFC as a true centre for musicians to come together as well as a centre for teaching. The pursuit of this vision has meant much personal sacrifice over the years and the road has been far from easy. But it has been my life’s work and I am particularly proud of the esteem the community has held for this work and this vision.  That esteem was gloriously on display when it first became known that the business was running into trouble last year. A benefit concert was held which raised enough money to keep us afloat for a while.  This outpouring of love was humbling and heart-warming at the same time.  It is because of this love and community support that the decisions I now have to make are so onerous and difficult. 

In recent years the challenge of keeping the OFC alive has been steadily increasing to the point where the impact on my personal life is no longer bearable.  It has become quite clear that in spite of our on-going efforts and personal sacrifices, this business is simply not sustainable.

We have sought much professional advice and explored several options. I have pursued possible buyers of the business, real estate agents to see if sub-leasing parts of the building is feasible, hired consultants to help organize the business to reflect current realities. We have worked with community organizations to share programming. I have tried everything I know to keep this business afloat. I have invested all the money that I have available to me. I have nothing left to give, monetarily or physically.

With sales recently weakening as the summer arrives, the final decision has been made for me.

Effective July 23, the Ottawa Folklore Centre Ltd. is declaring bankruptcy and will be in the hands of a bankruptcy trustee, Ginsberg/Gingras. There will be customers, students, staff, suppliers, and teachers who will not understand this choice and who will lose earned income and payments for lessons and goods that The Folklore Centre will not be able to honour. I apologize for this. It is not for lack of trying.

Arthur McGregor

Find me on Twitter. twitter.com/@mikeregenstreif

And on Facebook. facebook.com/mikeregenstreif

--Mike Regenstreif