Showing posts with label Terry Evans. Show all posts
Showing posts with label Terry Evans. Show all posts

Thursday, December 13, 2012

Top 12 for 2012


Here are my picks for the Top 12 folk-rooted or folk-branched albums of 2012  (including reissues). I started with the list of more than 400 albums that landed on my desk over the past year and narrowed it down to a short list of about 30. I’ve been over the short list a bunch of times and came up with several similar – not identical – Top 12 lists. Today’s list is the final one. The order might have been slightly different, and there are several other worthy albums that might have been included, had one of the other lists represented the final choice. I also took a bit of liberty by listing four reissues by one artist as a single choice.

1. Woody Guthrie, Woody at 100: The Woody Guthrie Centennial Collection (Smithsonian Folkways). The book and the third CD, which contains much previously unreleased material, make this 3-CD boxed set essential for Woody collectors. The entire set also makes for a great introduction for Woody novices to the great folksinger and songwriter in this year marking the 100th anniversary of his birth.


2. Leonard Cohen – Old Ideas (Columbia). Like so much of Leonard Cohen’s best work, there are layers and layers of meaning and understanding in these songs that I think will continue to reveal themselves over a period of years of repeated listening.


3. Bob Dylan – Tempest (Columbia). This is the work of a master songwriter – the master songwriter of our time – informed by half a century of his own work and by the music of what Greil Marcus called “old weird America,” the folk music and folk-rooted blues and country music which developed in various regions before spreading everywhere via recordings and migratory performers.


4. Stan Rogers – Turnaround/Between the Breaks … Live!/Northwest Passage/From Fresh Water (Borealis). Remastered and reissued versions of the final four of the five original albums Stan Rogers – in my opinion, Canada’s greatest folksinger and songwriter – recorded for his family owned record label (the first in the series was reissued in 2011).



5. Tom Russell – Heart on a Sleeve (Frontera). A remastered and reissued version of the great solo debut  album – with six bonus tracks – by the artist who I’ve come to think of as the greatest songwriter of my generation.


6. Eric Bibb – Deeper in the Well (Stony Plain). Mostly recorded in Louisiana with musicians who add some Cajun and Creole influences, this is yet another inspired and inspiring set by the great acoustic blues and folk artist.


7. Maria Dunn – Piece By Piece (Distant Whisper). This suite of eight songs inspired by the waves of women immigrants who worked at the GWG clothing factory in Edmonton between 1911 and 2004 – and which is sung from some of their perspectives – is one of this year’s folk music masterpieces.


8. Anne Hills – The Things I Notice Now: Anne Hills Sings the Songs of Tom Paxton (Appleseed). This is an excellent set of some of the finest songs written by one of our finest songwriters – sung by one of our finest interpretive singers. Tom Paxton joins Anne for three duets.


9. Lucy Kaplansky – Reunion (Red House). Many of these songs movingly and poignantly reflect on family relationships and the continuity of generations.


10. Kim & Reggie Harris – Resurrection Day (Appleseed). Filled with glorious harmonies, this album inspires with a message that we are all important and vital parts of a world that is so much bigger than any of us.


11. Kathy Mattea – Calling Me Home (Sugar Hill). A moving folk music album by a one-time country music hit-maker which explores her deep roots in the Appalachian Mountains.


12. Hans Theessink & Terry Evans – Delta Time (Blue Groove). A second superb collaboration by the always excellent Hans Theessink, a Dutch blues singer based in Austria, and Terry Evans, a fine blues and gospel singer originally from Mississippi.


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--Mike Regenstreif

Wednesday, December 5, 2012

Hans Theessink & Terry Evans – Delta Time


HANS THEESSINK & TERRY EVANS
Delta Time
Blue Groove

Delta Time is yet another in a series of remarkable albums by the always excellent Dutch, Austrian-based blues singer, songwriter and guitarist Hans Theessink – and his second collaboration with Terry Evans, an outstanding blues and gospel singer, originally from Mississippi, who is probably best known for his sublime harmonies on many of Ry Cooder’s albums dating back to the 1970s.

The album begins with Theessink’s title track – one of five songs which feature transcendent trio harmonies from Evans and colleagues Arnold McCuller and Willie Greene, Jr. – which celebrates a return to what the late folklorist Alan Lomax referred to as “the land where the blues began.” As on the other 12 songs, Theessink’s and Evans’ guitars and voices blend perfectly and lead into a gorgeous slow version of the Delmore Brothers' classic, “Blues Stay Away From Me,” with Theessink’s deep baritone floating on the bottom while Evans’ tenor rides on top. “Blues Stay Away From Me” is one of three songs in which the duo’s guitars are augmented by sweet and distinctive lead guitar lines from Ry Cooder.

The other tracks with Cooder are a groove-inflected version of Bobby Charles’ “How Can People Act Like That” and Theessink’s “Shelter from the Storm (not to be confused with the Bob Dylan song of the same name),” a beautiful love song that also features those amazing harmonies from Evans, McCuller and Greene.

Among my other favorite tracks are terrific, slow acoustic versions of blues classics “It Hurts Me Too” and “Honest I Do,” a fun version of “The Birds and the Bees (Evans sang harmonies on Jewel Aiken’s pop hit version in 1965),” and Theessink’s “Mississippi,” a 10-minute tribute to many of the blues greats – including Evans – who have come out of that state.


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--Mike Regenstreif