My copy of the latest issue of Sing Out! Magazine – November/December ‘10/January ’11 – arrived this week. The cover story is about South African singer-songwriter Johnny Clegg.
As usual, this issue of Sing Out! has a bunch of my CD reviews including:
Trevor Alguire- Now Before Us
Asleep at the Wheel & Leon Rausch- It’s a Good Day!
Jay Aymar- Halfway Home
Allison Brown- Viper at the Virgin’s Feet
Andy Cohen- Built Right Here on the Ground
Les Copeland- Don’t Let the Devil In
Ramblin’ Jack Elliott- At Lansdowne Studios, London
Finest Kind- For Honour and for Gain
Frazey Ford- Obadiah
Michael Hurwitz- Chrome on the Range
Chris Kokesh- October Valentine
Jimmy LaFave- Favorites 1992-2001
Terence Martin- The Last Black and White TV
Rain Perry- Internal Combustion
Oliver Schroer & the Stewed Tomatoes- Freedom Row
Bow Thayer- Shooting Arrows at the Moon
Craig Werth- The Spokes Man.
I’m now at work on a bunch of CD and book reviews for the next issue of Sing Out! and will resume posting more reviews here in early-February when those are done.
--Mike Regenstreif
Folk-rooted and folk-branched reviews, commentaries, radio playlists and suggestions from veteran music journalist and broadcaster Mike Regenstreif.
Showing posts with label Michael Hurwitz. Show all posts
Showing posts with label Michael Hurwitz. Show all posts
Thursday, January 27, 2011
Tuesday, August 10, 2010
MICHAEL HURWITZ & THE AIMLESS DRIFTERS
Chrome on the Range
Meadowlark Records
mikehurwitz.com
A couple of years ago, in a review of an earlier Michael Hurwitz album in Sing Out! Magazine, I wrote: “The recordings of Michael Hurwitz, an honest-to-goodness cowboy from Wyoming, have become big favourites of mine over the past several years and Cowboy Fandango is another one that I can’t stop playing a lot. He’s got one of those comfortable voices and delivery styles that makes me think I’m listening to an old friend – we’ve never even met – and the arrangements, built around Michael’s acoustic guitar and featuring instruments like fiddle, pedal steel, mandolin, and a very tasteful rhythm section, are timeless, sounding like they could have been recorded recently or almost any time in the past 50 or 60 years. Plus, his songs tell stories that make me want to listen from the first line to the last.”
Those comments also apply to Michael’s new album, Chrome on the Range, a compelling set of mostly-western story songs delivered in various blends of folk, country, western swing and blues. Among the many highlights on the CD are “Ed Trafton,” a western ballad about an older, gentlemanly stage coach robber; “Edith,” the story of an eccentric fiddler at the time of the turn of the last century; “Cowboys Gone Wild,” a humorous barroom tune sung in duet with Tracy Nelson; and “Minnie Sang the Blues,” a talking blues about Memphis Minnie, or, really about remembering the circumstances of being introduced to Memphis Minnie records as a kid that’s reminiscent of such Guy Clark songs as “Randall Knife” and “Let Him Roll.”
Along with a dozen of his own songs, Michael also includes really nice versions of Elizabeth Cotten’s “Shake Sugaree” and Gary McMahan’s “Real Live Buckeroo.” McMahan trades verses with Michael on the latter.
The playing by Michael's band, the Aimless Drifters, is never aimless. In fact, their tasty accompaniments add much to the richness of Michael's songs.
As I also mentioned in that Sing Out! review, “If, like me, you’re a fan of the cowboy songs of Ian Tyson, Tom Russell and Bill Staines, you should be listening to Michael Hurwitz too.”
--Mike Regenstreif
Chrome on the Range
Meadowlark Records
mikehurwitz.com
A couple of years ago, in a review of an earlier Michael Hurwitz album in Sing Out! Magazine, I wrote: “The recordings of Michael Hurwitz, an honest-to-goodness cowboy from Wyoming, have become big favourites of mine over the past several years and Cowboy Fandango is another one that I can’t stop playing a lot. He’s got one of those comfortable voices and delivery styles that makes me think I’m listening to an old friend – we’ve never even met – and the arrangements, built around Michael’s acoustic guitar and featuring instruments like fiddle, pedal steel, mandolin, and a very tasteful rhythm section, are timeless, sounding like they could have been recorded recently or almost any time in the past 50 or 60 years. Plus, his songs tell stories that make me want to listen from the first line to the last.”
Those comments also apply to Michael’s new album, Chrome on the Range, a compelling set of mostly-western story songs delivered in various blends of folk, country, western swing and blues. Among the many highlights on the CD are “Ed Trafton,” a western ballad about an older, gentlemanly stage coach robber; “Edith,” the story of an eccentric fiddler at the time of the turn of the last century; “Cowboys Gone Wild,” a humorous barroom tune sung in duet with Tracy Nelson; and “Minnie Sang the Blues,” a talking blues about Memphis Minnie, or, really about remembering the circumstances of being introduced to Memphis Minnie records as a kid that’s reminiscent of such Guy Clark songs as “Randall Knife” and “Let Him Roll.”
Along with a dozen of his own songs, Michael also includes really nice versions of Elizabeth Cotten’s “Shake Sugaree” and Gary McMahan’s “Real Live Buckeroo.” McMahan trades verses with Michael on the latter.
The playing by Michael's band, the Aimless Drifters, is never aimless. In fact, their tasty accompaniments add much to the richness of Michael's songs.
As I also mentioned in that Sing Out! review, “If, like me, you’re a fan of the cowboy songs of Ian Tyson, Tom Russell and Bill Staines, you should be listening to Michael Hurwitz too.”
--Mike Regenstreif
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