Stranger Songs with Mike Regenstreif – CKCU – June 25, 2024: 50 years ago, I took over The Golem, Part 3/Songs and Conversation with Michael Jerome Browne & Mary Flower

Stranger Songs with Mike Regenstreif finds connections and develops themes in various genres. The show is broadcast on CKCU, 93.1 FM, in Ottawa on Tuesdays from 3:30 until 5 pm (Eastern time) and is also available 24/7 for on-demand streaming.

This episode of Stranger Songs was recorded and can be streamed on-demand, now or anytime, by clicking on “Listen Now” at … https://cod.ckcufm.com/programs/595/65724.html

Themes: 50 years ago, I took over The Golem, Part 3/Songs and Conversation with Michael Jerome Browne & Mary Flower

50 years ago, I took over The Golem, Part 3

Mike Regenstreif at The Golem (1987) (Montreal Gazette photo)

It was just over 50 years ago, on May 24, 1974, that I took over running The Golem, Montreal folk club. 

The Golem had been established in 1973 in the McGill Hillel building at 3460 Stanley Street by Saul Markowicz. I had done my basic training in folk club management with Chuck Baker at the Yellow Door, and had been producing concerts in Montreal at Dawson College and McGill University for about two years when Saul approached me in the spring of 1974 and asked if I’d be interested in taking over The Golem.

I actually ran The Golem twice – from 1974 until 1976 and from 1981 until 1987. The Golem was also run for about a year after my first tenure by Marc Nerenberg (who, by the way, is responsible for keeping the Yellow Door going still). The Golem was closed between 1977 and when I returned and re-opened it in 1981. And, after my second tenure, a committee including Helen Fortin and Dave Clarke of Steel Rail fame kept the Golem going until 1991.

All of the songs on this part of the show were played back in the day by artists who performed during my two tenures running the Golem.

Connie Kaldor- Wood River

Wood River (Coyote Entertainment)

The Friends of Fiddler's Green- The Golden Vanity

This Side of the Ocean (FOFG Productions)

Margaret Christl- Rattlin Roarin Willie

The Picture in My Mind (Waterbug)

Willie P. Bennett- Me and Molly

Tryin’ to Start Out Clean (Bnatural Music)

Mike Regenstreif & Steve Gillette (1994)

Steve Gillette- Darcy Farrow

Steve Gillette (Vanguard)

Jack Hardy- Potter’s Field

The Nameless One (Great Divide)

Stephen Barry Band- Poor Boy

Live (Fix it in the Mix Music)

Saul Broudy & Mike Regenstreif (1993)

Saul Broudy- Bei Mir Bist Du Sheyn

Travels with Broudy (Saul Broudy)

“50 years ago, I took over The Golem, Part 1” was heard on the May 28 edition of Stranger Songs and can be streamed at this link. https://cod.ckcufm.com/programs/595/65341.html

“50 years ago, I took over The Golem, Part w” was heard on the June 18 edition of Stranger Songs and can be streamed at this link. https://cod.ckcufm.com/programs/595/65644.html

Songs and Conversation with Michael Jerome Browne & Mary Flower

My conversation with Michael Jerome Browne and Mary Flower was recorded earlier this month on Zoom. I was in Ottawa, Michael was in Montreal and Mary was in Portland, Oregon. 

Michael Jerome Browne with John Sebastian, Happy Traum & John McColgan- Living with the Blues

Gettin’ Together (Borealis/Stony Plain)

Mary Flower- Livin’ with the Blues Again

Livin’ with the Blues Again (Little Village Foundation)

Michael Jerome Browne & Mary Flower- I’ve Got the Big River Blues

Gettin’ Together (Borealis/Stony Plain)

Michael Jerome Browne & Mary Flower with John Sebastian- Coffee Blues

Gettin’ Together (Borealis/Stony Plain)

Michael Jerome Browne & Mary Flower- Black Dog Blues

Gettin’ Together (Borealis/Stony Plain)

Michael Jerome Browne & Mary Flower- Married Man Blues

Gettin’ Together (Borealis/Stony Plain)

Michael Jerome Browne & Mary Flower- Wisecrack

Gettin’ Together (Borealis/Stony Plain)

Mary Flower- See See Rider

Livin’ with the Blues Again (Little Village Foundation)

Stephen Barry Band featuring Michael Jerome Browne- Sugar Baby

Happy Man (Bros)

MARY FLOWER- Brother, Can You Spare a Dime

Bywater Dance (Yellow Dog)

Michael and Mary will be here in Ottawa at Red Bird Live on Saturday June 29. They’re also doing a guitar workshop in Ottawa that afternoon. They’ll also be at Hugh’s Room Live in Toronto on Wednesday June 26, at Emmanuel United Church in Waterloo on Thursday June 27, and at a house concert in Morin Heights, Quebec on Monday July 1. More information and links to buy tickets at this link. https://www.michaeljeromebrowne.com/shows

Next week: 1964.

--Mike Regenstreif

Stranger Songs with Mike Regenstreif – CKCU – June 18, 2024: 50 years ago, I took over The Golem, Part 2

Stranger Songs with Mike Regenstreif finds connections and develops themes in various genres. The show is broadcast on CKCU, 93.1 FM, in Ottawa on Tuesdays from 3:30 until 5 pm (Eastern time) and is also available 24/7 for on-demand streaming.

This episode of Stranger Songs was recorded and can be streamed on-demand, now or anytime, by clicking on “Listen Now” at … https://cod.ckcufm.com/programs/595/65644.html

Theme: 50 years ago, I took over The Golem, Part 2.

Mike Regenstreif at The Golem (1987) (Montreal Gazette photo)

It was just over 50 years ago, on May 24, 1974, that I took over running The Golem, Montreal folk club. 

The Golem had been established in 1973 in the McGill Hillel building at 3460 Stanley Street by Saul Markowicz. I had done my basic training in folk club management with Chuck Baker at the Yellow Door, and had been producing concerts in Montreal at Dawson College and McGill University for about two years when Saul approached me in the spring of 1974 and asked if I’d be interested in taking over The Golem.

I actually ran The Golem twice – from 1974 until 1976 and from 1981 until 1987. The Golem was also run for about a year after my first tenure by Marc Nerenberg (who, by the way, is responsible for keeping the Yellow Door going still). The Golem was closed between 1977 and when I returned and re-opened it in 1981. And, after my second tenure, a committee including Helen Fortin and Dave Clarke of Steel Rail fame kept the Golem going until 1991.

All of the songs on this show were played back in the day by artists who performed during my two tenures running the Golem.

Mike Regenstreif & Garnet Rogers (2006)

Garnet Rogers- Ain’t Goin’ Home

The Outside Track (Snow Goose Songs)

Humphrey & The Dumptrucks- Calgary Song

Six Days of Paper Ladies (Boot)

Penny Lang & Mike Regenstreif (1976) photo: Felicity Fanjoy

Penny Lang- Barrelhouse Blues

Live at the Yellow Door (She-Wolf)

Paul Geremia & Mike Regenstreif (2012)

Paul Geremia- The Truth is on the Streets

Self Portrait in Blues (Red House)

Terry Garthwaite- Hoy Hoy Hoy

Live at the Great American Music Hall (Flying Fish)

Dakota Dave Hull & Sean Blackburn- Deep Water

River of Swing (Arabica)

Bill Garrett- Northshore Train

Bill Garrett (Borealis)

Valdy- Peter & Lou

Classic Collection (A&M)

Roger McGuinn- Gate of Horn

Peace On You (Columbia)

Ramblin' Jack Elliott & Mike Regenstreif (2006)

Ramblin' Jack Elliott- Don’t Think Twice, It’s All Right

Kerouac’s Last Dream (Appleseed)

Eric Andersen & Mike Regenstreif (2000)

Eric Andersen- Violets of Dawn

Woodstock Under the Stars (Y&T Music)

Mike Regenstreif & Loudon Wainwright III (2015)

Loudon Wainwright III- The Swimming Song

Attempted Moustache (Columbia/Legacy)

Diana Marcovitz- Don’t Call It Love

Recent unreleased version of song from Joie de Vivre (Diana Marcovitz)

David Mallett- Open Doors & Windows

Open Doors & Windows (Flying Fish)

Rory Block- Lovin’ Whiskey

I’ve Got a Rock in My Sock (Rounder)

Josh White, Jr..- One Meatball

Live at the Raven Gallery (Silverwolf)

Roy Forbes (known as Bim in the Golem years)- Woh Me

Almost Overnight (AKA)

David Essig & Mike Regenstreif (2014)

David Essig- Flo’s Café

A Stone in My Pocket (Peregrin)

Linda Morrison- Left Foot Slide

Line By Line (Heartstrung Music)

Guy Van Duser & Billy Novick- Sweet Georgia Brown

American Finger-Style Guitar (Rounder)

Jackie Washington & Mike Regenstreif (2008)

Jackie Washington- Gotta Go

The World of Jackie Washington (Borealis)

Mike Regenstreif & Marc Nerenberg (2009)

Marc Nerenberg- On the Street Again

On the Street Again (Marc Nerenberg)

Kate & Anna McGarrigle- The Redtail Hawk

Back Roads (Rhino)

Mike Regenstreif & Murray McLauchlan on Zoom (2021)

Murray McLauchlan- Sweeping the Spotlight Away

Sweeping the Spotlight Away (True North)

50 years ago, I took over The Golem, Part 1 – with many more artists and songs from my Golem years – was heard on the May 28 edition of Stranger Songs and can be streamed at this link. https://cod.ckcufm.com/programs/595/65341.html

Next week: 50 years ago, I took over The Golem, Part 3 in the first half-hour; and then, Songs and Conversation with Michael Jerome Browne and Mary Flower.

--Mike Regenstreif

Stranger Songs with Mike Regenstreif – CKCU – May 28, 2024: 50 years ago, I took over The Golem, Part 1

Stranger Songs with Mike Regenstreif finds connections and develops themes in various genres. The show is broadcast on CKCU, 93.1 FM, in Ottawa on Tuesdays from 3:30 until 5 pm (Eastern time) and is also available 24/7 for on-demand streaming.

This episode of Stranger Songs was recorded and can be streamed on-demand, now or anytime, by clicking on “Listen Now” at … https://cod.ckcufm.com/programs/595/65341.html

Theme: 50 years ago, I took over The Golem, Part 1.

Mike Regenstreif at The Golem (1975)

It was 50 years ago, on May 24, 1974, that I took over running The Golem, Montreal folk club. 

The Golem had been established in 1973 in the McGill Hillel building at 3460 Stanley Street by Saul Markowicz. I had done my basic training in folk club management with Chuck Baker at the Yellow Door, and had been producing concerts in Montreal at Dawson College and McGill University for about two years when Saul approached me in the spring of 1974 and asked if I’d be interested in taking over The Golem.

I actually ran The Golem twice – from 1974 until 1976 and from 1981 until 1987. The Golem was also run for about a year after my first tenure by Marc Nerenberg (who, by the way, is responsible for keeping the Yellow Door going still). The Golem was closed between 1977 and when I returned and re-opened it in 1981. And, after my second tenure, a committee including Helen Fortin and Dave Clarke of Steel Rail fame kept the Golem going until 1991.

All of the songs on this show were played back in the day by artists who performed during my two tenures running the Golem. As I was preparing this show, I found there was no way I could play all of the artists I’d like to include, so I’ll be doing a part 2 to this theme on the June 18 edition of Stranger Songs.

Bruce Murdoch- Fool Like Me

Bruce Murdoch (Radio Canada International)

Mike Regenstreif, Bruce Murdoch & Sneezy Waters (2014)

Sneezy Waters- (You’ve Got) Sawdust on the Floor of Your Heart

Live in the CKCU studio during Stranger Songs – July 4, 2023

Jim Ringer- Going Away

Waitin’ for the Hard Times to Go (Folk-Legacy)

Tom Mitchell, Mike Regenstreif & Mary McCaslin (199)

Mary McCaslin- Down the Road

Way Out West (Philo)

Chris Rawlings & Mike Regenstreif (2007)

Chris Rawlings- Pearl River Turnaround

Pearl Soupe (Cooking Fat Music)

Mike Regenstreif & Jesse Winchester (2006)

Jesse Winchester- Tell Me Why You Like Roosevelt

Learn to Love It (Stony Plain)

Kate & Anna McGarrigle & Mike Regenstreif (1976) photo: Felicity Fanjoy

Kate & Anna McGarrigle & Roma Baran- Willie Moore

Tell My Sister (Nonesuch)

Ronney Abramson & Mike Regenstreif (2016)

Ronney Abramson- Three O’Clock Ride

Three O’Clock Ride – single (Ronney Abramson)

Artie Traum & Mike Regenstreif (2006)

Artie Traum- Montreal

The Test of Time (Roaring Stream)

Ferron- Ain’t Life a Brook

Not a Still Life (Cherrywood Station)

Mike Regenstreif & Bill Staines (1993)

Bill Staines- Tulsa

Miles (Mineral River)

Mike Regenstreif & Priscilla Herdman (1978) photo: Ron Petronko

Priscilla Herdman- Andy’s Gone with Cattle

The Water Lily (Philo)

Eric Bogle- Now I’m Easy

Scraps of Paper (Flying Fish)

Utah Phillips & Mike Regenstreif (1976) photo: Felicity Fanjoy

Utah Phillips- Larimer Street

The Telling Takes Me Home (Philo)

Rosalie Sorrels & Mike Regenstreif (1993)

Rosalie Sorrels- Postcard from India

Travelin’ Lady (Sire)

Tom Mitchell- Eastern Beer

1976 live recording – used with permission

Mimi Fariña- Defying Gravity
Live in Germany: To Benefit Bread & Roses (Dogfish Music)

Mike Regenstreif & Tom Paxton (2001) photo: Janice Hanson

Tom Paxton- Outward Bound

The Compleat Tom Paxton (Even Compleater) (Rhino Handmade)

Odetta- Hold On

Odetta at Carnegie Hall (Vanguard)

Dave Van Ronk- Green, Green Rocky Road

…and the tin pan bended, and the story ended… (Smithsonian Folkways)

John Hartford- Steamboat Whistle Blues

Aereo-Plain (Rounder)

Skyline with Tony Trischka- Ticket Back

Ticket Back: A Retrospective (Flying Fish)

Nanci Griffith- There’s a Light Beyond These Woods

There’s a Light Beyond These Woods (Philo)

Stan Rogers- The Mary Ellen Carter

Between the Breaks…Live! (Fogarty’s Cove/Borealis)

Next week: Part 1: Remembering Spider John Koerner / Part 2: The Legacy of Reverend Gary Davis

--Mike Regenstreif

Stranger Songs with Mike Regenstreif – CKCU – Tuesday August 31, 2021: Remembering Nanci Griffith (1953-2021)

Stranger Songs with Mike Regenstreif finds connections and develops themes in various genres. The show is broadcast on CKCU in Ottawa on Tuesday afternoons from 3:30 until 5 pm (Eastern time) and is also available 24/7 for on-demand streaming.

CKCU can be heard live at 93.1 FM in Ottawa and https://www.ckcufm.com/ on the web.

This episode of Stranger Songs was prerecorded at home and can already be streamed on-demand by clicking on “Listen Now” at … https://cod.ckcufm.com/programs/595/53257.html

Theme: Remembering Nanci Griffith (1953-2021)

Nanci Griffith – a superb and influential singer, songwriter and performer – died on August 13th at age 68. The show includes some of Nanci’s recordings, some of her collaborations with other artists, and some of her songs performed by other artists.

Nanci Griffith- There’s a Light Beyond These Woods
There’s a Light Beyond These Woods (Philo)

Nanci Griffith- Julie Anne
Poet In My Window (Philo)
Kathy Mattea- Love at the Five & Dime
Walk the Way the Wind Blows (Mercury)
Nanci Griffith- Daddy Said
Once In a Very Blue Moon (Philo)

It's been a long time since I’d seen her or been in touch, but Nanci and I were close in the 1980s when she came to Montreal frequently to play concerts at The Golem, the folk club I was then running. She'd always stay with me and we had some great times. One day she wrote the song, “Banks of the Pontchartrain,” in my apartment.

Nanci Griffith- Banks of the Pontchartrain
The Last of the True Believers (Philo)
Tom Russell & Nanci Griffith- St. Olav’s Gate
The Long Way Around (HighTone)
Suzy Bogguss- Outbound Plane
Aces (EMI)

Nanci Griffith- Time Alone
Once In a Very Blue Moon (Philo)

Nanci Griffith & Arlo Guthrie- Tecumseh Valley
Other Voices/Other Rooms (Elektra)
Nanci Griffith- Up Against the Rain
The Loving Kind (Rounder)

Nanci Griffith- Ten Degrees and Colder
Other Voices/Other Rooms (Elektra)
Nanci Griffith- You Were On My Mind
Other Voices, Too (A Trip Back to Bountiful) (Elektra)
Nanci Griffith & Tom Russell- Summer Wages
Other Voices, Too (A Trip Back to Bountiful) (Elektra)
Nanci Griffith & Ian Tyson- Canadian Whiskey
Other Voices, Too (A Trip Back to Bountiful) (Elektra)
Jimmy Buffett & Nanci Griffith- Someone I Used to Love
License to Chill (Mailboat)

Caroline Doctorow- Trouble In the Fields
Trouble In the Fields: An Artists’ Tribute to Nanci Griffith (Paradiddle)
Red Molly- Lookin’ for the Time
Trouble In the Fields: An Artists’ Tribute to Nanci Griffith (Paradiddle)
The Kennedys- I’m Not Drivin’ These Wheels
Trouble In the Fields: An Artists’ Tribute to Nanci Griffith (Paradiddle)
Nanci Griffith- Hell No (I’m Not Alright)
Intersection (Hell No)

Nanci Griffith with The London Symphony Orchestra- Late Night Grande Hotel
The Dust Bowl Symphony (Elektra)
Emmylou Harris & Willie Nelson- Gulf Coast Highway
Duets (Reprise)
Nanci Griffith with Carolyn Hester- Can’t Help But Wonder Where I’m Bound
Other Voices/Other Rooms (Elektra)
Lucy Kaplansky- I Wish It Would Rain
Everyday Street (Lucy Kaplansky)
Nanci Griffith- The Wing and the Wheel
The Last of the True Believers (Philo)

Nanci Griffith- Spin On a Red Brick Floor
One Fair Summer Evening (MCA)

Next week: A Tribute to The Everly Brothers

Find me on Twitter. www.twitter.com/mikeregenstreif

And on Facebook. facebook.com/mikeregenstreif

--Mike Regenstreif

Garnet Rogers – Night Drive: Travels with My Brother

Night Drive: Travels with My Brother

A Memoir by Garnet Rogers

Tickle Shore Publishing

751 pages

garnetrogers.com

I first met and became friendly with the late Stan Rogers at the Mariposa Folk Festival in June 1975. We were friends for eight years – until he lost his life, along with 22 others, on June 2, 1983 in an airplane fire that forced an Air Canada flight en route from Texas to Toronto to make an emergency landing at the Cincinnati airport as Stan was returning home from the Kerrville Folk Festival. Over those eight years that I knew him, Stan rose from relative obscurity to become one of Canada’s greatest folksingers and songwriters.

About a decade after his death, a highly disappointing biography called An Unfinished Conversation: The Life and Music of Stan Rogers (now renamed Northwest Passage) by Chris Gudgeon was published. As I noted in 1993 in Sing Out! magazine, “As a friend, colleague and admirer of Stan Rogers, I looked forward to this book. I've long thought that someday someone will write a great book about his life and music. Unfortunately, despite its good intentions, this book isn't it.”

Well, it took another 23 years, but that great book about Stan’s life and music has finally arrived in the form of Night Drive: Travels with My Brother by Garnet Rogers. There is no one who knew Stan better. They grew up together – Stan was about six years older – and spent the last decade of Stan’s life constantly traveling together back and forth across Canada and through the United States, usually with a bass player in tow, as bandmates. On many occasions over the years, both publicly from the stage, and privately over late night beers in various locales when we’d talk about how things were going, I heard Stan say that Garnet was his best friend and most important musical influence.

Garnet Rogers and Stan Rogers (stanrogers.net)

In 85 short chapters, each a story in its own right, Garnet describes his years with Stan – from their youth in a working class family to their years on the road when there wasn’t much of a folk circuit – in vivid detail, with sometimes brutal honesty, and often laugh-out-loud humor. Despite its length (and the actual weight of holding up such a long book as I read), Night Drive: Travels with My Brother remained a compelling page-turner from start to finish.

I knew Stan and Garnet during the years when most of the book takes place. I was there for a few of the incidents Garnet writes about (not just in Montreal, but also in Philadelphia, Toronto, and at various folk festivals in Canada and the U.S.). I also knew (know) many of the people who weave in and out of the story and so many of them come to life on these pages with great authenticity. Reading the book put me right back in those years.

In the years after his death, Stan became a sort of mythologized hero figure. And while Gudgeon’s earlier book fed some of the myths, Night Drive: Travels with My Brother tells the real story of how hard it was to build and sustain a folk music career. Stan, and Garnet – and their parents, Valerie and Al Rogers, who put up their life savings to bankroll an independent record company that they ran from their home – as well as many peers who come and go through the story, cobbled together careers that may have included some terrific folk festivals in the summer months but also included long periods of almost no work or months of travelling from small coffeehouses to shitty bars and nobody-cares college gigs.

There are great stories about so many of those gigs (one of which concerns Stan’s first Montreal gig at the Golem, the folk club that I ran in the 1970s and ‘80s; more on that later) and there are so many stories about them, and about the road trips in getting to them, and the adventures and misadventures along the way.

Garnet writes with great affection about many friends who became part of the story – including fellow performers and folk music presenters. There were, of course, others who don’t come off well and in some cases he left them nameless, or in at least one particular case, used a thinly disguised anagram of the fellow’s first name. I recognized some of the unnamed people as people I knew and understood why Garnet left them unnamed.

While many of the negative depictions in the book matched my own memories of the individuals – including a well-meaning but incompetent agent I had warned Stan about before he began working with her on his early U.S. tours – one negative depiction in Night Drive: Travels with My Brother that made me somewhat uncomfortable was of Paul Mills, the CBC radio producer and guitarist (a.k.a. Curly Boy Stubbs), who produced all but one of Stan’s albums. For whatever reason, Garnet and Paul never got along and that is reflected in Garnet’s descriptions of the recording sessions and of the occasional live gigs when Paul became part of the onstage band. While I wasn’t actually at any of the recording sessions and have no dispute with Garnet’s own impressions, Stan always seemed enthused about his recording projects when I’d chat with him about what he’d recorded and what was coming out next. Back in the day, I only heard Stan speak glowingly about Paul, as a producer, as a musician and as a friend. I still listen to and appreciate the records they made together.

Earlier, I mentioned the brutal honesty employed by Garnet in telling the story of his years on the road with Stan. This is reflected in his descriptions of the inevitable conflicts borne of too many hours in a day and too many days of the weeks, months and years they spent cooped up travelling long distances on the road, too many nights in cheap motels, and too many bad gigs along the way. Garnet also writes honestly of the copious amounts of substance abuse (mostly alcohol) used to both alleviate the boredom of life on the road and to self-medicate for personal problems including Garnet’s clinical depression and Stan’s marital tensions.

As I mentioned earlier, one of the early chapters in Night Drive: Travels with My Brother is about Stan’s first gig at the Golem, the Montreal folk club I took over running in 1974. I met and first heard Stan at the 1975 Mariposa Folk Festival and booked him to play at the Golem on the first open date that fit both of our schedules. That turned out to be a weekend in February of 1976 on what turned out to be the coldest weekend of that winter (and, perhaps, the coldest weekend of all the years I ran the Golem). The description of coping with the cold in a car with no heat is classic.

Garnet did make a mistake in talking about the format of Golem gigs in the 1970s. Noting that the Golem was in Hillel House – the Jewish student centre at McGill University – he described the gig as being two nights: Friday and Sunday nights with a night off on Saturday because shows could not take place there on the Jewish Sabbath. It was actually a three-night gig: Thursday, Saturday and Sunday nights. The Jewish Sabbath begins at sundown on Fridays and ends after sundown on Saturdays – so Friday was the night off.

In early-1976, Stan was still a relatively unknown artist. Fogarty’s Cove, his first LP was still a year-and-a-half away. So the lack of fame and the intense cold combined to keep the crowds tiny over those three nights. Garnet remembers 13 people over two nights while I think it was closer to 20 people over three nights – numbers, I guess, that are close enough for folk music.

Garnet also tells a tall tale about Frank Wakefield playing at the Golem. A pretty funny story but totally apocryphal.

Mike Regenstreif and Garnet Rogers in Montreal (2006)

I had two stints running the Golem, from 1974 to 1976, and from 1981 to 1987. I had inherited the Thursday-Saturday-Sunday format from Saul Markowicz, who had founded the Golem in 1973. When I returned in 1981, it was for one-night gigs with popular artists doing two concerts in one night. When Stan played his final gig at the Golem in December 1982, he was selling out two shows a night. He was scheduled to return to the Golem again the following fall. Garnet, himself, played the Golem regularly as a solo artist after Stan's death.

Night Drive: Travels with My Brother made me laugh frequently and made me cry occasionally as it brought back some memories of my own and let me share in the so many more memories of the man who knew Stan Rogers better than anyone.

Find me on Twitter. twitter.com/@mikeregenstreif

And on Facebook. facebook.com/mikeregenstreif

--Mike Regenstreif