I first met Rosalie Sorrels, the great
singer, songwriter and storyteller, sometime around 1970 or so when she was in Montreal to play at
the too-short-lived Back Door Coffee House. It was a four or five night gig and
while she there she wrote “Travelin’ Lady,” which became her signature song and
gave her next LP its title.
Travelin’ Lady was her current album when I
started to produce concerts for Rosalie in Montreal and it was followed by Whatever
Happened to the Girl That Was, a year or so later.
(In the late-‘70s, Rosalie was one of my
clients for a couple of years when I operated a folk music booking agency.)
Of all of Rosalie’s albums, these were the
only two on major labels and like many albums by
non-mainstream artists on the majors, they went out-of-print much
too soon.
While most of Rosalie’s albums from over
the years have been reissued on CD at one time or another, these two never were
until a few years ago when they were put out in Asia by Big Pink, a reissue label
in South Korea. Here in North America, they had to be ordered expensively over
the Internet (with even more expensive shipping charges).
Those LPs meant a lot to me so after
Rosalie assured me she was actually earning royalties from the reissues, I ordered
them and they took their place in my complete collection of Rosalie Sorrels
CDs.
At age 81 and with some health issues,
Rosalie can no longer travel and perform but her son Kevin Sorrels (who I've not seen since he was a kid) is operating her
website and is making the two CDs available as a package deal as a way of
generating some extra income for her. I believe Kevin is selling copies of the albums he's had manufactured domestically, but
the price is significantly cheaper than what I paid a few years ago to order
the albums from South Korea.
Travelin’ Lady, with liner notes
by Hunter S. Thompson, was highlighted by three of Rosalie’s best songs:
“Travelin’ Lady,” the story of her life on the road; “Postcard From India,” a
philosophical tribute to endurance and acceptance; and “Rosalie, You Can’t Go
Home Again.” Written at a time when Rosalie’s marriage had broken up and she
was out on the road earning a hard living for herself and her five kids. The song is about the need to stand on her own and
move forward.
Another highlight is Bruce “Utah” Phillips’
“Rock Me to Sleep,” one of the best songs ever about how the commercial music
business can suck music and its creators dry.
Whatever Happened to the Girl That Was which
features some country, blues and folk-rock arrangements includes some fine
examples of Rosalie’s original songwriting but my favorite songs on it are her interpretations
of several other writers’ works.
Among them are three songs about the
ravages of too much alcohol or the reasons that lead to too much drinking. Gary
White’s “Nobody’s,” named for a Greenwich Village bar from back in the day,
captures the feelings of loneliness and despair of a woman in pain. The song
includes the line that gave the LP its title and I think Rosalie sang it son
convincingly because she’s lived those feelings herself. Paul Geremia’s
“Elegant Hobo,” arranged very differently from Paul’s own version, let us know
that any of us could someday be that hobo, while “The Toast,” also by Gary
White, is a powerful late night bar closer about the reasons too many people
have been lost in the haze of alcohol. Sung a cappella, Rosalie’s version of
the song cuts directly through to the heart.
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| Rosalie Sorrels & Mike Regenstreif (1993) |
The other highlights include a powerful
version of Bruce “Utah” Phillips’ “Rock, Salt and Nails,” a bitter song Bruce always
refused to sing himself; “Hall of Fame,” Joe Dolce’s declaration of
independence from the commercial music business; and Mitch Greenhill’s “Brightwood
Fire,” about the thoughts and feelings running through the head of an insomniac
unable to sleep.
With reissues of Travelin’ Lady and
Whatever Happened to the Girl That Was now available, I’m waiting and hoping for
a reissue of Moments of Happiness, now Rosalie’s only album from the 44 or so
years that I’ve known her that has never come out on CD.
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--Mike Regenstreif
