Showing posts with label John Lennon. Show all posts
Showing posts with label John Lennon. Show all posts

Saturday, October 8, 2016

Caroline Doctorow – Dreaming in Vinyl



CAROLINE DOCTOROW
Dreaming in Vinyl
Narrow Lane Records
carolinedoctorow.com 

Music, for a lot of baby boomers like me, was big deal when we were young (and remains a big deal for some of us). Acquiring a new LP from a favorite band or solo artist was often a major event. The songs meant something to us and so many have stayed with us over the decades.

Caroline Doctorow’s new CD, Dreaming in Vinyl, is a reminder of those days. Eight of the 10 songs are seemingly timeless interpretations of songs that first came out between 1965 and 1970 while the other two – Caroline’s originals – evoke that period.

Almost all of the covered songs on Dreaming in Vinyl were instantly familiar to me as they were drawn from LPs I owned back in the day (and most of those I now have on CD reissues). And the only song I didn’t really know, “Hard, Hard Year,” was because it wasn’t on one of the Hollies’ LPs I did have back then.

Caroline’s versions of these songs remain quite faithful to the original versions. Her always-lovely voice is well served by her own guitar playing and overdubbed harmonies, by violinist Chris Tedesco, and by the layered accompaniment of producer Pete Kennedy on all other instruments. Among my favorites are Bob Dylan’s “Time Passes Slowly,” Paul Simon (Simon and Garfunkel)’s “Dangling Conversation,” which chronicles a couple’s growing alienation from each other, and Richard Holler’s poignant topical song “Abraham, Martin and John,” an iconic hit by Dion after the assassinations of Reverend Martin Luther King Jr. and Robert Kennedy.

The versions of the Lou Reed and John Cale (Velvet Underground & Nico)’s “Sunday Morning,” Randy Newman’s “I Think It’s Going to Rain Today,” Donovan’s “Turquoise,” and John Lennon and Paul McCartney (Beatles)’s “Across the Universe” are all also noteworthy.

As mentioned, Caroline’s two original songs evoke that period when we were buying vinyl LPs. “To Be Here” is a beautiful love song and travelogue. “That’s How I’ll Remember You,” is a lovely farewell written for Caroline’s father, the acclaimed novelist E.L. Doctorow, who died last year.

Find me on Twitter. twitter.com/@mikeregenstreif

And on Facebook. facebook.com/mikeregenstreif

--Mike Regenstreif

Friday, August 21, 2015

The Friends of Fiddler’s Green – Old Inventions



THE FRIENDS OF FIDDLER’S GREEN
Old Inventions
Friends of Fiddler’s Green

Back in the 1970s, my occasional trips to Toronto would often include a night spent at Fiddler’s Green, a British-style folk club in a building behind the YMCA on – if I recall correctly – Eglinton Avenue. There would usually be a featured performer for the evening and a bunch of other folks doing short sets – among them, usually, at least some of the members of the Friends of Fiddler’s Green, a group of singers and musicians made up of the club’s directors and some of their friends.

I’d also often see the Friends playing at Mariposa and other folk festivals and on their occasional trips to Montreal. I remember them playing once or twice at the Yellow Door, a folk club that I helped Chuck Baker run in the early-1970s, and once or twice at the Golem, the folk club that I ran in the ‘70s and ‘80s.

While the Fiddler’s Green folk club folded decades ago – sometime in the ‘80s, I think – the Friends of Fiddler’s Green have endured and are still going strong 44 years after first coming together back in 1971.

Why their longevity? My guess is that it’s because the Friends of Fiddler’s Greem has never been a professional band in the sense that it provided the livelihood of the members. They were and remain amateurs in the best (and most professional) sense of the word. They’ve continued to come together over the years for the sheer joy of singing and playing music together.

They’ve also survived personnel changes as a few have left the group over the years and others have joined. Sadly, a couple of the Friends – David Parry and Tam Kearney – have passed away.

The Friends have not been prolific recording artists. Their first album, This Side of the Ocean, was released as an LP in 1981 (and reissued on CD in 1997 augmented with an extra half-hour of concert recordings from back in the day). Their second, The Road to Mandalay, came out in 1994.

More than 20 years later, Old Inventions is their third album as a group and it finds them in fine form running through a repertoire of folk, music hall and contemporary songs and tunes.

The current Friends – most of whom have played on all three albums – include Ian Bell, the newest member, on banjo, guitar, concertina, pipes, trombone and bass; Alistair Brown on concertina, button accordion and harmonica; Grit Laskin on guitar, mandolin and bones; Jeff McClintock on piano; Ian Robb on several kinds of concertinas; and Laurence Stevenson on fiddle. Most also sing lead vocals occasionally and all sing harmonies and choruses.

The album begins with a couple of songs that are quite typical of a Friends of Fiddler’s Green performance. Alistair takes the lead vocal on “Twelve and Tanner a Bottle,” Will Fyfe’s humorous 1920 complaint about the rising price of whiskey before Ian Robb leads the group on a slightly less familiar version of the familiar traditional folksong “All Around My Hat.”

With nary a weak track among the 14 songs and instrumental medleys, a couple of my other favorites include a banjo-driven version of the chantey “Roll the Woodpile Down,” featuring a lead vocal by Ian Bell; the ensemble version of the celebratory pub song “Doon In the Wee Room,” sung as a tribute to Tam Kearney who passed away in 2013.

Two exceptional original songs speak to types of inspiration. Grit’s “If You Want to Change the World,” is about the dedication and perseverance required to make social progress and effect change while Ian Robb’s “The Reason Why,” is about the right and wrong reasons for singing and making music.

My very favorite song, though, is the poignantly beautiful version of John Lennon and Paul McCartney’s “In My Life,” sung by Grit as a memorial for friends who have passed on. In the liner notes, Grit talks about our mutual friend, the late Rick Fielding, and I’ve no doubt he was also thinking of David and Tam as he sang the song.

The Friends of Fiddler’s Green will be performing several concerts in Ontario to celebrate the release of Old Inventions.

Owen Sound – Sunday, August 23, 1 pm, during the Summerfolk Festival.
Ottawa – Friday, September 11, 8 pm, at the Westboro Masonic Hall.
Toronto – Saturday, September 12, 8:30 pm, at Hugh’s Room.
London – Sunday, September 13, 7:30 pm, at Chaucer’s Pub (presented by Cuckoo’s Nest Folk Club).

Find me on Twitter. twitter.com/@mikeregenstreif

And on Facebook. facebook.com/mikeregenstreif

--Mike Regenstreif