Showing posts with label Almanac Singers. Show all posts
Showing posts with label Almanac Singers. Show all posts

Tuesday, January 28, 2014

Pete Seeger 1919-2014



I was deeply saddened this morning to awake to the news that Pete Seeger, always one of the most inspiring people I’ve ever known, passed away of natural causes at age 94. He His wife, Toshi, died last year after nearly 70 years of marriage.


In a post marking Pete’s 90th birthday, I recalled listening to Pete’s music since I was a young kid and that I was 20 years old in 1974 when I first met and worked with him when I was an area co-ordinator/stage manager at the Mariposa Folk Festival and Pete’s concert was on my stage.

I am grateful for having had the opportunity to have known Pete for most of my life and to have enjoyed some small measure of friendship.

I’ve interviewed Pete a number of times, both for radio and newspapers. When Pete did a surprise
Canadian tour of small venues in 2008, I interviewed him for the July 3, 2008 issue of the Montreal Gazette (the article also appeared in several other newspapers).

The first thing Pete said to me when I called him for the interview was, “What can I possibly tell you that you don’t already know?”

There was – there is – always a lot to learn from Pete Seeger.

Here is that article.

Pete Seeger returns to Montreal

Mike Regenstreif
Special To The Gazette

The last time I interviewed Pete Seeger was in 1999 just as he was about to turn 80. He was planning to stay close to his Hudson River Valley home and just play a few songs occasionally for school kids or at benefit concerts. It was unlikely, he said then, that he’d travel far enough from home to perform in Montreal again.

Almost a decade later, though, the still-vigorous Seeger is on his way back to Montreal. His July 5 concert here kicks off a quickly-arranged, and quickly sold-out, tour of small venues that also takes him to Toronto, for two nights, Kingston and Ottawa in the company of acoustic blues revivalist Guy Davis and his grandson, Tao Rodriguez-Seeger of the folk-rocking Mammals. The three will share the stage, swapping songs and backing each other.

Reached at his home overlooking the Hudson River in upstate New York, Seeger told me he has fond memories of performing in Montreal.

Sam Gesser hired me when nobody else would,” Seeger said, referring to the late Montreal impresario who broke into the concert business with a Seeger concert in 1952 when most of the folksinger’s performing opportunities were lost to the McCarthy-era blacklist. Gesser, who died April 1, brought Seeger to Montreal often over the next four decades.

Seeger is one of the most revered musicians of all time and has been a major influence on the likes of Bob Dylan, Bruce Springsteen – who’s done two albums of songs he learned from Seeger LPs – and almost everyone else who’s picked up a banjo or acoustic guitar in the past 60 years.

Seeger’s lengthy résumé includes forming two legendary folk groups: the Almanac Singers, with Woody Guthrie, before both shipped out to serve in the Second World War; and the Weavers, the group that brought folk music to the pop charts with "Goodnight Irene" and "Tzena Tzena Tzena" in 1949 before being blacklisted. Seeger has written or co-written scores of enduring songs, including "Where Have All the Flowers Gone" and "If I Had a Hammer," has made hundreds of recordings, and has been at the forefront of the civil rights, peace and environmental movements.

“I really don’t take concert tours anymore,” Seeger said when asked about what made him decide to do this four-city Canadian jaunt. “But my grandson, Tao, is a great performer, and Guy Davis is a great performer, so I decided to do a few things with them. The five concerts I’m doing in Canada are more than I’m doing almost anywhere else.”

Talking to Seeger now, he seems motivated by many of the same concerns that spurred his activism decades ago. “I think there’s a chance the human race will survive,” he said. “I’m not as pessimistic as I was after Hiroshima,” referring to the atomic blast that spurred a lifetime’s devotion to the peace movement. During the Iraq War, Seeger has been leading weekly peace vigils near his home.

One of Seeger’s greatest successes as an activist has been leading the movement to clean up the Hudson River. The river was horribly polluted when he founded the Clearwater organization in the 1970s. Now, he points out, people swim safely in many parts of the Hudson.

In separate interviews, Guy Davis and Tao Rodriguez-Seeger both spoke about being directly influenced by Seeger as children.

Davis’s parents, the actors Ossie Davis and Ruby Dee, were longtime friends of the Seeger family. In 1960, eight-year-old Guy developed a love for the banjo while attending Camp Killooleet, a kids’ camp in Vermont that was run by John Seeger, Pete’s brother. Ossie Davis bought his son a banjo and the youngster learned the instrument from Seeger’s classic book, How to Play the Five-String Banjo.

“Over the years, Pete sparked my interest in Big Bill Broonzy and Lead Belly, both of whom he had known, and my interest in the 12-string guitar began to grow. One thing led to another and I wound up going on the road with Pete as an opening act in the mid-70s,” said Davis. “This tour’s going to be a wonderful hoot.”

Rodriguez-Seeger grew up playing music with his grandfather and began performing concerts and recording with him as a teenager in the 1980s. “We played concerts together for about 13 years.” he recalled.

Wanting to articulate his own musical ideas, Rodriguez-Seeger formed a trio with Sarah Lee Guthrie, Arlo Guthrie’s daughter, and her husband, Johnny Irion, in 1999. Two years later, he hooked up with Ruth Ungar and Michael Merenda as the Mammals.

With the Mammals currently on hiatus, Rodriguez-Seeger recently performed a concert with his grandfather and Davis at the Franklin Delano Roosevelt Presidential Library and Museum in Hyde Park, New York.

“We had a really good time,” said Rodriguez-Seeger. “We got home and Grandpa was bouncing off the wall with excitement. ‘Let’s do that again,’ he said.”

The Canadian tour was quickly arranged and generations of folk fans eagerly snapped up all available tickets.

Tuesday, October 2, 2012

Pete Seeger – Pete Remembers Woody; Pete Seeger & Lorre Wyatt – A More Perfect Union



PETE SEEGER
Pete Remembers Woody
Appleseed

There have been many worthy recording projects released in 2012 to mark the centennial of Woody Guthrie’s birth on July 14, 1912. Among the most interesting is certainly Pete Remembers Woody, a 2-CD collection mostly made up of stories told by Pete Seeger about the friend he met in New York City in 1940 and their times together. The stories are punctuated by songs, most of them written by Woody Guthrie, most of them previously released, sung by a variety of artists, both contemporary and historical.

The album was assembled by David Bernz, a member of Work O’ the Weavers, a group dedicated to preserving the legacy of the Weavers, the folk music group Pete was a part of in the late-1940s and ‘50s. Over a period of years dating back to the 1990s, David made living room recordings of Pete talking about his history and these reminiscences of Woody are drawn from those recordings.

Although I’ve heard Pete tell some of these stories before – on stage and in various interviews, including several interviews with me – it’s still fascinating to hear all of these stories collected into this aural history. From his first meeting Woody, through their travels together, to stories of how some of the classic songs came to be written, to his last visit with Woody, it is an essential collection for any student of Woody and/or Pete. And, frankly, anyone who wants to understand the development of folk music in the 20th century should be a student of both Woody and Pete. There is much for any lover of folk music to appreciate in Pete’s stories.

Some of Pete’s stories are told on top of music beds variously played by Pete himself, Cathy Fink, Ralph Storm and producer David Bernz.

And, as noted, there are songs spread throughout the two CDs punctuating Pete’s stories. A couple of the tracks, Woody and Cisco Houston singing “New York Town” and the Almanac Singers – a group that included both Pete and Woody – singing “The Sinking of the Reuben James, are from the 1940s. The rest date from recent years and include several each by the Work O’ the Weavers, the Vanaver Caravan, and Steve Kirkman (one of them with Fred Gillen, Jr.). There are also recordings by Cathy Fink & Marcy Marxer, Pete & Arlo Guthrie and David Bernz.

As well as the Woody Guthrie songs, there is also a version of Pete Seeger and Lee Hays’ “If I Had a Hammer,” performed by Work O’ the Weavers, and David Bernz also sings an original song, “Woody’s Ghost,” inspired by Woody. “Woody’s Ghost” is heard in three parts at the beginning, middle and end of the project.

PETE SEEGER & LORRE WYATT
A More Perfect Union
Appleseed
 
Singer and songwriter Lorre Wyatt is best known for such songs as the anthemic “Somos El Barco/We are the Boat,” which has been recorded by such artists as Pete Seeger and Peter, Paul & Mary, and for a number of songwriting collaborations with Pete dating back to the early efforts to clean up the Hudson River. In 1996, Lorre suffered a debilitating stroke that kept him on the sidelines for about 15 years. He has recently begun making music again and is again writing songs with Pete, who, at the age of 93, remains a remarkably vital musical artist.

The 16 songs on A More Perfect Union include 15 co-written by Pete and Lorre, as well as a new version of Lorre’s “Somos El Barco/We are the Boat.” Ten are performed by Pete and Lorre together, some with contributions from significant guest artists, and there are three songs performed by Pete without Lorre and three more by Lorre without Pete.

The tone of the album is established on the first song, “God’s Counting On Me…God’s Counting On You,” a new anthem for these times about communal responsibility for fixing what’s wrong with our contemporary world. The verses are variously sung by Pete, Lorre, Bruce Springsteen and the Rivertown Kids, the group of Beacon, NY school kids who sang with Pete a couple of years ago on Tomorrows Children, while a choir of singers harmonizes on the chorus. It’s an inspiring song destined to join the long list of Pete’s essential classics.

The communal spirit of “God’s Counting On Me” continues to be felt on such songs as “A More Perfect Union,” sung by Lorre, Pete and Tom Morello, “Wonderful Friends” and “A Toast to the Times.”

Other highlights include the gorgeous version of “Somos El Barco/We are the Boat” sung by Pete, Lorre and Emmylou Harris, again with a choir of singers on the chorus, and quietly compelling “Bountiful River,” the 10-minute opus which ends the album.

That Lorre was able, 15 years after his stroke, to return to making vital music again, and that Pete has continued to be such a force of nature, music making and songwriting well into his 90s, is nothing less than inspiring.

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--Mike Regenstreif