Caroline Doctorow – Dreaming in Vinyl

CAROLINE DOCTOROW

Dreaming in Vinyl

Narrow Lane Records

carolinedoctorow.com 

Music, for a lot of baby boomers like me, was big deal when we were young (and remains a big deal for some of us). Acquiring a new LP from a favorite band or solo artist was often a major event. The songs meant something to us and so many have stayed with us over the decades.

Caroline Doctorow’s new CD, Dreaming in Vinyl, is a reminder of those days. Eight of the 10 songs are seemingly timeless interpretations of songs that first came out between 1965 and 1970 while the other two – Caroline’s originals – evoke that period.

Almost all of the covered songs on Dreaming in Vinyl were instantly familiar to me as they were drawn from LPs I owned back in the day (and most of those I now have on CD reissues). And the only song I didn’t really know, “Hard, Hard Year,” was because it wasn’t on one of the Hollies’ LPs I did have back then.

Caroline’s versions of these songs remain quite faithful to the original versions. Her always-lovely voice is well served by her own guitar playing and overdubbed harmonies, by violinist Chris Tedesco, and by the layered accompaniment of producer Pete Kennedy on all other instruments. Among my favorites are Bob Dylan’s “Time Passes Slowly,” Paul Simon (Simon and Garfunkel)’s “Dangling Conversation,” which chronicles a couple’s growing alienation from each other, and Richard Holler’s poignant topical song “Abraham, Martin and John,” an iconic hit by Dion after the assassinations of Reverend Martin Luther King Jr. and Robert Kennedy.

The versions of the Lou Reed and John Cale (Velvet Underground & Nico)’s “Sunday Morning,” Randy Newman’s “I Think It’s Going to Rain Today,” Donovan’s “Turquoise,” and John Lennon and Paul McCartney (Beatles)’s “Across the Universe” are all also noteworthy.

As mentioned, Caroline’s two original songs evoke that period when we were buying vinyl LPs. “To Be Here” is a beautiful love song and travelogue. “That’s How I’ll Remember You,” is a lovely farewell written for Caroline’s father, the acclaimed novelist E.L. Doctorow, who died last year.

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Caroline Doctorow – I Carry All I Own: The Songs of Mary McCaslin

CAROLINE DOCTOROW

I Carry All I Own: The Songs of Mary McCaslin

Narrow Lane Records

carolinedoctorow.com

Back in the 1970s, I was part of an extended circle of friends that spent a lot of time hanging around a barn in North Ferrisburg, Vermont – about a two-hour drive from Montreal – that had been converted into a recording studio and was home to Philo Records, one of the most interesting, and, for about 10 years, one of the most vital, of the folk-rooted record labels of the time.

Among the artists I became friends with was Mary McCaslin, an influential singer and songwriter and a guitarist known for her innovative use of open tunings. Several of Mary’s Philo recordings, in particular Way Out West and Prairie in the Sky, remain contemporary folk classics whose songs have turned up on recordings by such artists as Tom Russell, Gretchen Peters, Stan Rogers, Sneezy Waters, David Bromberg, Kate Wolf, and Bill Staines. Many of Mary’s songs featured imagery from the old and new west and her Prairie in the Sky LP inspired Ian Tyson to return to songwriting, thus precipitating the renaissance of cowboy culture.

Three years ago, contemporary singer-songwriter Caroline Doctorow released Another Country, an album of Richard and Mimi Fariña songs, the first in a series of planned tributes to artists who influenced her. I Carry All I Own: The Songs of Mary McCaslin is the second in the series and, like the Fariña tribute, it was produced by multi-instrumentalist Pete Kennedy. All of the back-up complementing Caroline’s voice and guitar on this CD is by Pete.

It’s a lovely tribute encompassing 10 songs drawn from three of Mary’s Philo albums from the ‘70s (one of which, Sunny California, was initially licensed to Mercury Records) and one from A Life and Time, a 1981 recording on Flying Fish (interestingly, both the Philo and Flying Fish catalogs were eventually absorbed by Rounder Records). Caroline’s singing and the arrangements remain faithful enough to Mary’s originals that they are instantly recognizable to those of us who knew this music back in the day and yet are just different enough that they have a contemporary freshness all their own.

While I really enjoyed the whole album, among my favourite tracks are “Circle of Friends,” which always reminds me of sitting up late at night with Mary and other friends from the era; “Young Westley,” a fictionalized outlaw-ballad-cum-love-song at least partially inspired by Mary’s early relationship with singer-songwriter Jim Ringer, to whom she was later married; and a beautifully dreamy, atmospheric rendition of “Prairie in the Sky.”

I’ve no doubt Mary will feel justifiably honoured by Caroline’s fine tribute.

Pictured: Mike Regenstreif and Mary McCaslin at the 1999 Champlain Valley Folk Festival.

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--Mike Regenstreif