Stranger Songs with Mike Regenstreif – CKCU – Tuesday September 26, 2023: Remembering Gram Parsons (1946-1973)

Stranger Songs with Mike Regenstreif finds connections and develops themes in various genres. The show is broadcast on CKCU, 93.1 FM, in Ottawa on Tuesdays from 3:30 until 5 pm (Eastern time) and is also available 24/7 for on-demand streaming.

This episode of Stranger Songs was recorded and can be streamed on-demand, now or anytime, by clicking on “Listen Now” at … https://cod.ckcufm.com/programs/595/62049.html

Theme: Remembering Gram Parsons (1946-1973).

Gram Parsons, one of the most influential musicians in the development of country rock, flamed out and died of an overdose of alcohol and morphine, 50 years ago this past week, on September 19, 1973. He was only 26 years old.

International Submarine Band- Luxury Liner

Safe at Home (LHI)

The Byrds- Hickory Wind

Sweetheart of the Rodeo (Columbia)

Christian Parker- One Hundred Years from Now

Sweethearts: A Tribute to The Byrds ‘Sweetheart of the Rodeo’ (Subcat)

The Byrds- You’re Still On My Mind

Sweetheart of the Rodeo (Columbia)

Christian Parker- Drug Store Truck Driving Man

Sweethearts: A Tribute to The Byrds ‘Sweetheart of the Rodeo’ (Subcat)

The Flying Burrito Brothers- Christine’s Tune (Devil in Disguise)

The Gilded Palace of Sin (A&M)

The Good Lovelies- Juanita

Live at Revolution (Six Shooter)

The Refugees- Sin City

California (Wahubo/Longhouse)

Gene Clark & Carla Olson- I’m Your Toy (Hot Burrito #1)

So Rebellious a Lover (Rhino)

Emmylou Harris- Hot Burrito #2

Evangaline (Reprise)

The Flying Burrito Brothers- Cody, Cody

Burrito Deluxe (A&M)

The Seldom Scene featuring Emmylou Harris- Wheels

15th Anniversary Celebration (Sugar Hill)

The Wailin' Jennys- Boulder to Birmingham

Fifteen (True North)

Gram Parsons- She

G.P. (Reprise)

Evan Dando & Juliana Hatfield- $1000 Wedding

Return of the Grievous Angel: A Tribute to Gram Parsons (Almo Sounds)

Gram Parsons- Ooh Las Vegas

Grievous Angel (Reprise)

Barrence Whitfield & Tom Russell- Brass Buttons

Cowboy Mambo (Stony Plain)

Tom Russell- Joshua Tree

Road to Bayamon (Philo)

Gram Parsons- The New Soft Shoe

G.P. (Reprise)

Lucy Kaplansky- Return of the Grievous Angel

Flesh and Bone (Red House)

Gram Parsons with Emmylou Harris- Love Hurts

Grievous Angel (Reprise)

Emmylou Harris- The Road

Hard Bargain (Nonesuch)

Gram Parsons with Emmylou Harris- In My Hour of Darkness

Grievous Angel (Reprise)

Next week: Part 1 – Conversation and Songs with Alan Bern of The Semer Ensemble; Part 2 – “I’ll sing you this October Song.”

--Mike Regenstreif

Ottawa Folk Festival – Friday, September 6

Emmylou Harris, bassist Byron House & Rodney Crowell.

After missing the first two nights of the 2013 Ottawa Folk Festival (I was with family in Montreal for the Jewish New Year), I returned to Ottawa last night for a great night at the Tartan Homes Stage at the north end of Hog’s Back Park that was capped off by a fabulous 90-minute set by Emmylou Harris and Rodney Crowell and their very hot Glory Band.

As I’ve been saying since 2011 when the Ottawa Folk Festival became part of the Bluesfest operation – truth be told, in taking over the folk festival, Bluesfest saved it from financial ruin – there were two very different festivals taking place last night on the grounds of Hog’s Back Park. There was a real folk festival at one end of the site – attended by a strong folk festival audience, the folks who turned out year after year at Britannia Park – and a big, very young audience at the south end of the site for a hip hop festival. Judging by all the university-age kids streaming into Hog’s Back Park and passing right by Emmylou and Rodney and by all of us folkies streaming out of the park to the sounds of hip hop headliner Kendrick Lamar who started just as Emmylou and Rodney finished, it was, with apologies to Rudyard Kipling, a night when folk was folk and hip hop was hip hop “and never the twain shall meet.”

I’ve seen Emmylou Harris in a bunch of different settings over the years but last night’s show took me back to my first Emmylou concert sometime in mid-1970s when Rodney Crowell, an excellent singer-songwriter in his own right, was playing rhythm guitar and singing harmony in her Hot Band – a group dedicated to moving down the musical road paved by Emmylou’s duet partner Gram Parsons in his all-too-brief career.

In fact, the set began with Emmylou singing harmony to Rodney’s lead on a couple of Parsons’ classics: “Return of the Grievous Angel,” on which Emmylou sang harmony on Parsons’ original recording, and “Wheels” from his Flying Burrito Brothers days. Later in the set they rocked out on Parsons’ “Luxury Liner,” a song from his early International Submarine Band which was the title track of one of Emmylou’s early albums.

So the spirit of Gram Parsons, who pioneered the blending of traditional country music with rock ‘n’ roll, was very much in evidence throughout the set. But, beyond the Parsons songs, there were so many other highlights.

Emmylou did a riveting version of Townes Van Zandt’s “Poncho and Lefty” and she and Rodney 

Emmylou Harris singing "Darling Kate"

combined for gorgeous duets on Townes’ “If I Needed You,” Guy Clark’s “She Ain't Goin’ Nowhere” and Rodney’s sublime “Till I Gain Control Again.”

Others of Rodney’s originals that highlighted the show were the Cajun-inspired “Leaving Louisiana in the Broad Daylight”; “Rock of My Soul,” a memoir about growing up in Houston with an alcoholic father; “I Ain’t Living Long Like This,” another number for the band to rock out on; and “Even Cowgirls Get the Blues,” inspired by the seminal ‘70s novel by Tom Robbins.

Although not primarily a songwriter, Emmylou also contributed a couple of excellent originals to the set: “Red Dirt Girl,” a memoir of growing up with a best friend in Alabama; and “Darling Kate,” an elegy for her (and my) late friend, Kate McGarrigle. She movingly performed “Darling Kate” solo without the band.

Emmylou and Rodney also performed several songs from Old Yellow Moon, their recent album of duets, including the sweet title track and a terrific version of Roger Miller’s classic country shuffle, “Invitation to the Blues.”

Beth Orton

Earlier in the evening there were fine sets by British singer-songwriter Beth Orton and Ottawa favourite Amanda Rheaume.

Unfortunately, Beth, who was accompanied on guitar, fiddle and harmony vocals on many of her songs by her husband, the American singer-songwriter Sam Amidon, had to contend with the highly distracting sound bleed from hip hop artist Shad playing at the other end of the park. To a solid round of applause, Beth spoke out critically about scheduling hip hop at the folk festival – particularly in a way that takes away from a much quieter “folk” performance.

But, Beth did rise above the distractions and turned in a set of melodic contemplative songs that won over the audience.

The evening began with a solid set by Amanda that included many of the songs from Keep a Fire, her

Amanda Rheaume

new album, which explores her family roots and history.

Find me on Twitter. twitter.com/@mikeregenstreif

And on Facebook. facebook.com/mikeregenstreif

--Mike Regenstreif

The Good Lovelies – Live At Revolution

THE GOOD LOVELIES

Live At Revolution

Good Lovelies/Six Shooter

goodlovelies.com

The Good Lovelies, the always charming harmonizing trio of Caroline Brooks, Kerri Ough and Sue Passmore, have gone the live route for their fourth full length album and, typical of their concerts, it’s a delightful blend of new material and standout songs from earlier albums and several excellent interpretations of well chosen covers.

Among the familiar Good Lovelies tunes are versions of “I Want” and “Lie Down” that are both a lot of fun. It sounds like the whole audience was happily singing and clapping along on “Lie Down.”

Of the new Good Lovelies songs my favourite is “Tuesday Night,” which seems like a nice blend of old-time music – thanks in large part to the rhythms of Caroline’s banjo playing – and classic pop balladry.

The two killer cuts for me, though, are their stunning takes on a couple of very familiar songs. They strip the honky-tonk off of “Juanita,” a Gram Parsons and Chris Hillman song from the first Flying Burrito Brothers LP, and re-imagine the song as an a cappella song of redemption. Then, they end the album with a beautiful, compelling version of Leonard Cohen’s “Hallelujah,” that’s as fine as any version I’ve heard.

As I noted a couple of years ago in my review of Let the Rain Fall, “The Good Lovelies’ arrangements blend folk, country, jazz and swing influences into something that’s always quite appealing, always very musical, and, almost always, lots of fun to listen to.” That still holds true on Live At Revolution.

Throughout the album, the three members of the Good Lovelies seamlessly swap lead vocals and harmonies and, from song to song, swap around the banjos, guitars and mandolins. They also receive some excellent support on most of the album from bassist Paul Mathew and multi-instrumentalist MVP Christine Bougie. Les Cooper also adds mandolin or guitar to a few songs.

Find me on Twitter. twitter.com/@mikeregenstreif

And on Facebook. facebook.com/mikeregenstreif

--Mike Regenstreif