Katie Moore & Andrew Horton – Six More Miles

KATIE MOORE & ANDREW HORTON

Six More Miles

katiemoore.ca

After several solo albums, Montreal-based country and folk singer-songwriter Katie Moore is joined by Andrew Horton for Six More Miles, a lovely set of (mostly) sad duets of eight country and folk classics and four original songs – two each by Katie and Andrew.

Katie and Andrew have a musical history together. Andrew played in Yonder Hill, a bluegrass band from about a decade ago that was fronted by Katie, Dara Weiss and Angela Desveaux, and has since played and sung in Katie’s bands. He also plays bass and sings harmony and occasional lead vocals in Notre Dame de Grass. They have developed a seemingly natural ease at singing together as lead and harmony vocalists.

They lead off the album with the title track. A lesser known Hank Williams composition, “Six More Miles (to the Graveyard)” sets the sad tone for the album as the narrator – Katie and Andrew singing in harmony – prepares to say a last farewell to his (her) “darling.”

A couple of my other favorites include a gorgeously haunting version of Bill Monroe’s “The One I Love is Gone,” that seems to come from deep in the well, and Shel Silverstein’s older but wiser song “A Couple More Years.”

Although there is a slow pace to most of these songs (they are, after all, sad songs), the pace does pick up on the traditional murder ballad (and sad story) “Wild Bill Jones” and the Carter Family classic “Lover’s Return.”

As mentioned, Katie and Andrew each contribute a couple of original pieces and these blend seamlessly with the classics. Katie’s “When We Reach the Valley” could easily be mistaken for an old-time country song while her “Blue Days” is an achingly beautiful song of lost love. Andrew’s “Since My Baby Been Gone” could be a companion song to “Blue Days,” while his “Owen’s Lullaby” is a gentle guitar composition – the album’s only instrumental – presumably written to send a baby off to sleep.

Katie and Andrew on vocals and guitars are ably and unobtrusively supported by Joe Grass on Dobro, mandolin and guitar; Alex Kehler on nyckelharpa (a bowed Swedish instrument) and fiddle; and Sage Reynolds on bass.

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--Mike Regenstreif

Sussex – Parade Day

SUSSEX

Parade Day

Lucky Bear Records

sussexmusic.ca

I’ve known Montreal-based singer-songwriter Rob Lutes a long time and have enjoyed watching (and listening) to him develop as a singer, songwriter, guitarist and performer. He knows well how to combine his gritty voice and fluid, blues-based guitar playing into something very compelling. With Sussex, Rob has taken his music to a new level.

Sussex is a collaboration of Rob, who is rooted in folk and blues, and vibraphonist Michael Emenau, whose roots are in classical music and jazz. Rob and Michael played together 25 or so years ago as high school students in New Brunswick and began collaborating again after Michael moved to Montreal in 2011.

Parade Day, the first Sussex album, includes five songs written or co-written by Rob, one by Michael, and five of their songwriting collaborations. They also include a charming cover of Randy Newman’s “Dayton, Ohio – 1903.”

Rob plays acoustic guitar and fronts the band as lead singer while Michael is heard throughout on vibes and occasionally on percussion and piano. And they get some great backup from the likes of guitarist Ben Charest (best known for his infectious film score for Les Triplettes de Bellville); trumpet and flugelhorn player Ivanhoe Jolicoeur; upright bassist Sage Reynolds; and violinist Josh Zubot.

The album opens strongly with “Hollow Log,” a song about maintaining a sense of balance in the face of life’s problems. The vibes weaving in and around the vocal lines give the song an irresistible jazzy-rootsy flavor.

The jazz-meets-roots fusion really comes alive on such numbers as “Truth and Lies,” with some nimble, Reinhardt-like guitar lines by Ben; “Superman’s Escape,” a bouncy song with the vibes, guitars, violin, bass and horn all contributing to the toe-tapping groove; and “Sparkle Blues,” a slow, jazz ballad.

I also really enjoyed Sussex’s take on “Dayton, Ohio – 1903,” a gentle period piece from Randy Newman’s classic 1972 album Sail Away (which was also memorably covered on Priscilla Herdman’s Forgotten Dreams – a 1980 album I had a little something to do with).

Sussex has already launched Parade Day in Quebec City and Montreal. Several more launch concerts are coming up including a show on March 25 here in Ottawa at Irene’s.

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--Mike Regenstreif