Showing posts with label Canadian Folk Music Awards. Show all posts
Showing posts with label Canadian Folk Music Awards. Show all posts

Thursday, July 23, 2015

The Ottawa Folklore Centre closes



Ottawa Folklore Centre (Google Streetview)

The folk music community in Ottawa, in Ontario, and, indeed, across Canada, was dealt a harsh blow today with the announcement that the Ottawa Folklore Centre has fallen into bankruptcy and has closed.

The announcement came in a letter to the community (see below) from Arthur McGregor, who founded the Ottawa Folklore Centre in 1976 and ran it with tremendous dedication and love for nearly four decades – most of his adult life. As Arthur writes in his letter, it has been his life’s work.

The Ottawa Folklore Centre was never just a musical instrument store. It was also a music school where skilled musicians taught novices how to sing and play guitar, banjo, ukulele, mandolin, fiddle and who knows what else. It published songbooks by the likes of Stan Rogers and Bruce Cockburn and it was a community gathering point. The Ottawa Folklore Centre was a place to drop in and hang out. It was a great source of information about what was happening on the folk scene. The Ottawa Folklore Centre was a beloved community institution that nurtured and supported other community institutions – from the Ottawa Folk Festival to Canadian Spaces on CKCU to the Canadian Folk Music Awards, Rasputin’s Folk Café, Irene’s, the Black Sheep Inn, the Ottawa Grassroots Festival, and virtually every other festival, concert venue and music producer in the region.

But, noting all of that, and so many other incredible accomplishments, doesn’t begin to address the real, lasting contribution of the Ottawa Folklore Centre – which was to make folk music an accessible, affordable, participatory part of people’s lives.

Arthur McGregor performing at the 2013 Ottawa Folk Festival. (Mike Regenstreif)
I know that running a business like the Ottawa Folklore Centre has never been easy. But it’s been more than a business – for Arthur, in particular, but also for just about everyone else who has ever worked there – it’s been a calling. Most of the folklore centres I got to hang out as a young folkie – the legendary New York Folklore Center, the Toronto Folklore Centre, and the Montreal Folklore Centre – were gone by the 1980s. A select few – the Denver Folklore Center, the Halifax Folklore Centre, and, until now, the Ottawa Folklore Centre, come to mind – have endured. I hope their communities know what treasures these places are.

I have some idea of how tough it’s been for Arthur to keep the Ottawa Folklore Centre going over the past number of years. And while most business-oriented people might have called it a day long ago, Arthur kept on keeping on because, deep down, he knew how important the Ottawa Folklore Centre has been to our community.

Thirty-eight years! It’s been a great run, Arthur. The entire folk music community is giving you a well-deserved standing ovation for all that you’ve done and accomplished with the Ottawa Folklore Centre.

Arthur’s letter:

Thursday, July 23, 2015

There are few things more important to me than folk music and the deep community that it engenders. I have dedicated most of my life to this community.  For the past 38 years the main symbol of that dedication has been the Ottawa Folklore Centre. I opened it on Bronson Avenue in 1976 and later, Terry Penner, my late wife, and I moved it to its present location on Bank Street. These thirty-eight years have not been easy but I have continued, with the help of family and friends…hundreds, in the face of many challenges and been proud of what we have accomplished. I have persisted in upholding the original vision of the OFC as a true centre for musicians to come together as well as a centre for teaching. The pursuit of this vision has meant much personal sacrifice over the years and the road has been far from easy. But it has been my life’s work and I am particularly proud of the esteem the community has held for this work and this vision.  That esteem was gloriously on display when it first became known that the business was running into trouble last year. A benefit concert was held which raised enough money to keep us afloat for a while.  This outpouring of love was humbling and heart-warming at the same time.  It is because of this love and community support that the decisions I now have to make are so onerous and difficult. 

In recent years the challenge of keeping the OFC alive has been steadily increasing to the point where the impact on my personal life is no longer bearable.  It has become quite clear that in spite of our on-going efforts and personal sacrifices, this business is simply not sustainable.

We have sought much professional advice and explored several options. I have pursued possible buyers of the business, real estate agents to see if sub-leasing parts of the building is feasible, hired consultants to help organize the business to reflect current realities. We have worked with community organizations to share programming. I have tried everything I know to keep this business afloat. I have invested all the money that I have available to me. I have nothing left to give, monetarily or physically.

With sales recently weakening as the summer arrives, the final decision has been made for me.

Effective July 23, the Ottawa Folklore Centre Ltd. is declaring bankruptcy and will be in the hands of a bankruptcy trustee, Ginsberg/Gingras. There will be customers, students, staff, suppliers, and teachers who will not understand this choice and who will lose earned income and payments for lessons and goods that The Folklore Centre will not be able to honour. I apologize for this. It is not for lack of trying.

Arthur McGregor

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--Mike Regenstreif

Sunday, November 30, 2014

2014 Canadian Folk Music Awards



The 10th annual Canadian Folk Music Awards last night at the Bronson Centre in Ottawa was a magnificent celebration of Canadian folk music. In fact, the past three days – with Thursday and Friday evening concerts at the Bronson Centre featuring some of the nominees and a folk-festival-day’s-worth of workshops, sessions and song circles at and nearby the Ottawa Folklore Centre – was a magnificent celebration of Canadian Folk Music in many of its forms and genres.

In addition to the award presentations, the evening included stellar performances by Lynn Miles, Finest Kind, The Good Lovelies, Laura Smith, Lennie Gallant, and De Temps Antan.

Laura Smith with Bill Garrett & Paul Mills
The Canadian Folk Music Awards recipients (in order of presentation) were:

CHILDREN’S ALBUM OF THE YEAR

Fred PennerWhere in the World

PRODUCER OF THE YEAR

Tom Terrell and Karl FalkenhamCity Ghosts by The Modern Grass

INSTRUMENTAL GROUP OF THE YEAR

The Andrew Collins TrioA Play on Words

VOCAL GROUP OF THE YEAR

The High Bar GangLost and Undone: A Gospel Bluegrass Companion

Lynn Miles
INSTRUMENTAL SOLO ALBUM OF THE YEAR
Jayme StoneThe Other Side of the Air

SOLO ARTIST OF THE YEAR

Lennie GallantLive Acoustic at The Carleton

ENSEMBLE OF THE YEAR

The FretlessThe Fretless

CONTEMPORARY SINGER OF THE YEAR

Matt AndersonWeightless

THE OLIVER SCHROER PUSHING THE BOUNDARIES AWARD

Tanya TagaqAnimism

Harvey Glatt
UNSUNG HERO AWARD

Harvey Glatt

FRENCH SONGWRITER OF THE YEAR
Julie Aubé, Vivianne Roy and Katrine NoëlMon Homesick Heart by Les Hay Babies

FOLK MUSIC CANADA INNOVATOR OF THE YEAR AWARD

The Black Sheep Inn (Wakefield, Quebec)

ABORIGINAL SONGWRITER OF THE YEAR

Amanda Rheaume and John MacDonaldKeep a Fire

WORLD SOLO ARTIST OF THE YEAR

Quique Escamilla500 Years of Night

Shari Ulrich
ENGLISH SONGWRITER OF THE YEAR

Shari UlrichEverywhere I Go

YOUNG PERFORMER OF THE YEAR

Kacy & ClaytonThe Day is Past & Gone

THE SUE GOLDBERG AWARD FOR TRADITIONAL SINGER OF THE YEAR

MélisandeLes metamorphoses

NEW/EMERGING ARTIST OF THE YEAR

The Bros. LandrethLet It Lie

WORLD GROUP ARTIST OF THE YEAR

Moustafa Kouyaté & Romain MalagnouxLes frontiers imaginaires

TRADITIONAL ALBUM OF THE YEAR

CòigFive

Shelagh Rogers and Benoit Bourque
CONTEMPORARY ALBUM OF THE YEAR

The StrumbellasWe Still Move on Dance Floors

Congratulations to all of the recipients, to the other nominees, to MCs Shelagh Rogers and Benoit Bourque, to all the volunteers who worked behind the scenes, and to the Canadian Folk Music Awards board for their outstanding work.

All photos courtesy of the Canadian Folk Music Awards.

Find me on Twitter. twitter.com/@mikeregenstreif
 

--Mike Regenstreif

Wednesday, March 13, 2013

Lenka Lichtenberg – Songs for the Breathing Walls



Songs for the Breathing Walls
Lenka Lichtenberg

(This review is from the March 18, 2013 issue of the Ottawa Jewish Bulletin.)

In 2009, Lenka Lichtenberg, a Toronto-based singer and composer and daughter of a Holocaust survivor who grew up in Prague before coming to Canada as a young adult, performed concerts at two synagogues in the Czech Republic. Reflecting on the experience she decided to record an album of settings of Jewish liturgical material at 12 different synagogues – some of them restored as synagogues or museums of Jewish life, some of them derelict – throughout the Czech and Moravian areas whose Jewish populations were decimated by the Holocaust.

The result is the deeply moving Songs for the Breathing Walls – the “breathing walls” being the synagogues themselves still retaining something of the thousands of Jews who prayed there over the generations. As a result of the differing acoustics of the various synagogues, and the individualized settings and arrangements created for each piece, all of the tracks are unique unto themselves, but simultaneously part of the whole.

While the spirituality of every selection can be felt, perhaps the most moving piece is the version of “El Maley Rachamim” recorded in what was a hidden synagogue in the Theresienstadt concentration camp where Lichtenberg’s mother and grandmother spent much of the Second World War.

The CD package comes with a beautiful booklet with photos of the synagogues and notes about their history, as well as information about each of the selections. The album is a very special achievement.

For her work on Songs for the Breathing Walls, Lichtenberg was honoured as traditional singer of the year at the Canadian Folk Music Awards in November.

Find me on Twitter. Twitter.com/@mikeregenstreif

--Mike Regenstreif