BONNIE
DOBSON
Take
Me for a Walk in the Morning Dew
Hornbeam
Recordings
Canadian folksinger Bonnie Dobson began her career, circa 1960, singing traditional
songs. She recorded quite prolifically in the ‘60s and is best known for her
1961 song, “Morning Dew,” the classic anti-nuclear war anthem recorded by
countless artists from the Grateful Dead
to Long John Baldry and Vince Martin & Fred Neil.
By sometime in the 1970s, Bonnie was living
in England and stepped away from performing and recording for many years. She
has returned with a vengeance, though, with Take
Me for a Walk in the Morning Dew, a collection of new recordings on which she
revisits some of the most memorable songs – both original and traditional –
that she recorded back in the day, as well as several songs I’d not heard from
her before.
While Bonnie’s voice is just as beautiful
as what I remember from her early Prestige LPs, her singing, more than 50 years
later, is much more powerful – and more than a match for the folk rock
arrangements and the fine band that accompanies her – which brings a very different feeling
to the familiar songs. For example, while her 1964 live recording of “Morning
Dew” captured the vulnerability and fear of the Cold War period, this new
version brings out the anger that such vulnerability and fear should have ever
existed.
A few of my other favorite tracks include “Born
in the Country,” a rocking version of Judy
Roderick’s adaptation of Richard “Rabbit” Brown’s “James Alley Blues,” one
of my favorite songs from Harry Smith’s
remarkable Anthology of American Folk
Music; “Living on Plastic,” a witty, post-divorce piece about living on
credit with the bills going to the ex; and “JB’s Song,” a beautiful lament for
someone who died at much too young an age.
As much as I enjoyed the band arrangements
on most of the album, my very favorite piece here is Bonnie’s stunning a
cappella version of the traditional “Dink’s Song.” I’ve got dozens of versions
of “Dink’s Song” in my collection and this is one of the best.
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Regenstreif
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