Tuesday, May 17, 2016

The Del McCoury Band – Del and Woody



THE DEL McCOURY BAND
Del and Woody
McCoury Music

As I’ve noted before, Woody Guthrie’s astounding writing career – not just songs; also books, poems, letters, newspaper columns and more – was brief, less than 20 years. He began in the mid-1930s and it was over by about 1954 when he was hospitalized with Huntington’s disease, the hereditary neurological disease that eventually robbed him of his life in 1967 at just 55.

“It wasn’t too much time after Woody’s death that I, as a teenager, discovered his songs, books and records. I’ve been listening and reading for [almost 50] years. More recently, I’ve been fascinated with the work that Nora Guthrie has been doing to bring the thousands of her father’s unheard songs back to life.

“When I first began listening to Woody Guthrie records, and to others doing Woody Guthrie songs, back in the 1960s, it was commonly said that Woody was so driven to write that he must have written about a thousand songs. Through Nora’s work at the Woody Guthrie Archives, we now know there were many more songs, about 3,000, and most of them have never been heard. Whatever tunes or melodies Woody wrote or adapted for them are forgotten or were never known.

“Over the past two decades, some of these songs have come to life in new musical settings by a wide variety of artists – some in album-length projects, some in one-off settings. Among my favorite album-length projects have been Wonder Wheel by the Klezmatics, Ticky Tock by the German artist Wenzel, and Note of Hope by various artists in collaboration with Rob Wasserman. What never fails to astound me is how wide-ranging Woody’s writing was – all of these newly come-to-light songs revealing more clues into the Guthrie mystery – and how adaptable his writing was to so many different styles and musical genres and how it continues to speak to very varied artists.”

Bluegrass legend Del McCoury is another of Nora’s great choices for setting Woody’s lyrics to music. Steeped in traditional bluegrass – he played guitar and sang lead vocals with Bill Monroe and the Blue Grass Boys for a time in the early-1960s – and is widely regarded as one of bluegrass music’s greatest standard bearers. He’s been unafraid of looking for material beyond the bluegrass rules and he’s done some great collaborations with artists ranging from Steve Earle to the Preservation Hall Jazz Band.

On Del and Woody, Del adds a dozen “new” songs to the Guthrie canon while creating one of the best bluegrass albums I’ve heard in years. The lyrics are all Woody’s set to melodies by Del.

The album begins in terrific form with “The New York Trains,” a song Woody wrote in 1940 after his first family – wife Mary Guthrie and their three kids – came by train from Texas to join him in New York. Woody humorously describes the family’s first exposure to New York’s expansive subway system.

Woody’s humor can also be seen in such songs as “Wimmen’s Hats,” a bumpkinny – but good-natured – spoof of women’s headwear; “Cheap Mike,” a complaint about a used car dealer who sold him a “‘48 motor on a ’32 frame”; and “Californy Gold,” a tale of a California Gold Rush prospector who loses his fortune to a gold digger.

Among the most poignant songs are “Left in This World All Alone,” sung by a man left without family or friends, and “Family Reunion,” in which Woody encourages families to stick together and support one another.

Other highlights include a love song, “Because You Took Me in Out of the Rain,” and “The Government Road,” sung from the perspective of an ex-con who finds employment building new roads.

Throughout the album Del, who sings lead and plays guitar, is supported by his virtuoso band – sons Ronnie McCoury on mandolin and Rob McCoury on banjo, Jason Carter on fiddle and Alan Bartram on upright bass, all of whom sing harmony vocals – perhaps the greatest traditional bluegrass band currently active.

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--Mike Regenstreif

Monday, May 16, 2016

Montreal Folk Fest on the Canal – June 15-19, 2016



Folk Fest Sur le Canal, by now my favorite summertime event in Montreal, returns for its ninth year with lineup that includes several interesting indoor concerts in venues near the Lachine Canal and three days of outdoor concerts along its banks featuring many performers I’ve enjoyed for years and others I’ve not heard before.

For a second year the outdoor events are taking place at Lachine Canal Park’s Centennial Esplanade near the corner of Saint Patrick and Pitt Streets.

The festival traditionally opens with a gala concert featuring a legendary folk artist. This year it will be John McEuen, a mainstay for a half-century with the Nitty Gritty Dirt Band and a solo performer and collaborator-extraordinaire known for his virtuosity on banjo, fiddle, mandolin and guitar. John performs Wednesday, June 15, 8:00 pm, at the George Vanier Cultural Centre (2450 Workman).

John McEuen
On Thursday, June 16, 8:00 pm, the festival presents a concert called The Future is Bright: A Glimpse in the Next Era of Montreal Folk featuring three young performers – Stefanie Parnell, Alexander Brown and Tamara Weber-Fillion – the festival says “are poised to achieve great things.” The concert takes place at Maison de la culture Marie-Uguay (6052 Monk).

On Friday, June 17, 9:00 pm, the festival is presenting A Long Strange Trip: The Songs of the Grateful Dead, a one-time-only event featuring Joe Grass, Andrew Barr, Brad Barr, Steve Hill, Katie Moore, Li’l Andy, Peter Mika, Colin Perry, Notre Dame de Grass and others. With so much great material to draw on this should be a great evening at the Paradoxe Theatre (5959 Monk).

Also on Friday, June 17, from 5:00 pm and again Saturday and Sunday, June 18 and 19, the festival shifts to Centennial Esplanade (corner of St. Patrick and Pitt) for lots of concerts and other activities – all free of charge – featuring a diverse selection of artists.

Sheesham and Lotus and Son
Highlights of the Friday schedule at Centennial Esplanade includes concerts by Sussex, a terrific new Montreal band fronted by Rob Lutes that combines roots and jazz influences and instrumentation, and Sheesham and Lotus and Son, whose music is rooted in old-time folk, blues, country and traditional jazz.

Among the Saturday highlights are concerts with children’s music legends Sharon and Bram; Montreal’s Notre Dame de Grass, one of the best bluegrass bands in Canada; and Joel Plaskett, who moves easily and naturally between roots and pop music.

Lizzy Hoyt
Sunday’s highlights includes concerts with Shtreiml, perhaps Canada’s most creative klezmer ensemble; acclaimed Montreal songwriter Katie Moore; Calgary-based Lizzy Hoyt, who moves easily between traditional folksongs and her own contemporary material; Richard Shindell, a superb American singer-songwriter (now living in Argentina), whose recordings I often featured on the Folk Roots/Folk Branches radio show; and a collaboration between Socalled, who has creatively combined hip hop and Jewish music, and Yves Lambert, a legend of Quebec traditional music and the former front man of La Bottine Souriante.

Ticket information for the indoor concerts and VIP section in the park, the complete schedule and all the other information you might need are on the festival website.

Congratulations again to Matt Large and Rebecca Anderson of Hello Darlin’ Productions and Carl Comeau of Hyperbole Music for founding the Montreal Folk Fest on the Canal and developing it into the great event it has become.

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--Mike Regenstreif

Saturday, April 2, 2016

Corin Raymond – Hobo Jungle Fever Dreams



CORIN RAYMOND
Hobo Jungle Fever Dreams
Local Rascal

Toronto-based singer-songwriter Corin Raymond arrived on my radar about seven years ago thanks to a brilliant song called “There will Always be a Small Time,” a piece I described at the time as “a near-perfect piece of songwriting.” But, just as there is so much more to Ian Tyson than “Four Strong Winds,” or to Gordon Lightfoot than “The Canadian Railroad Trilogy,” or to Leonard Cohen than “Suzanne,” or to so many other examples, there is more to Corin Raymond than “There will Always be a Small Time.”

That is more than evident on Corin’s new album, “Hobo Jungle Fever Dreams,” a set of nine fine songs he either wrote or co-wrote, and one cover.

Corin is a singer-songwriter whose work engages the listener, the words and melodies combining to draw listeners into the stories he’s telling – and whether the stories are autobiographical or about other people, real or fictional, it’s the story that matters with the lyrics, music, arrangement and delivery all in service to the story.

The album opens strongly with “Hard on Things,” co-written with Rob Vaarmeyer, in which he conversationally describes all those things he’s hard on – from his body to many material things and, by implication (“I’ve worn out two gold wedding rings”), his relationships.

Among the other highlights are “Under the Belly of the Night,” co-written with Jonathan Byrd, which pays tribute to fallen early rock ‘n’ roll and R&B heroes Buddy Holly, Sam Cooke and Jackie Wilson and to how their music endures so many decades after their deaths; “Two Miles of Trains,” co-written with Raghu Lokanathan, an upbeat, infectious celebration of hobo culture (the album’s title comes from this song); and “Morning Glories,” a piano-based tribute to some of the characters – flawed but good-hearted folks – that one might encounter walking around a rundown Toronto neighbourhood.

Corin Raymond makes you care about the people in these songs.

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--Mike Regenstreif