Wednesday, February 4, 2015

David Wiffen – Songs from the Lost & Found



DAVID WIFFEN
Songs from the Lost & Found
True North 
truenorthrecods.com

Back when I was young pup on the folk scene, Ottawa-based David Wiffen was one of the emerging Canadian artists we all seemed to be listening to.

His first LP, Live at the Bunkhouse Coffeehouse, Vancouver, BC, recorded in 1965, showcased the young Wiffen lending his deep baritone to more than credible versions of such folk standards including Ian Tyson’s “Four Strong Winds” and Bob Dylan’s “Don’t Think Twice, It’s All Right.”

He then spent some time playing in bands like The Children with Bruce Cockburn, Peter Hodgson (the future Sneezy Waters) and Richard Patterson, and 3’s a Crowd before emerging as a significant singer-songwriter on his second solo LP, 1971’s eponymously named David Wiffen. Three of the songs from that album, “Driving Wheel,” “Mr. Wiffen,” and “More Often Than Not,” insightfully captured the realities of musicians’ lives and found their ways into the repertoires of such artists as Tom Rush, Ian & Sylvia, Jerry Jeff Walker, Harry Belafonte and many others.

His third LP, 1973’s Coast to Coast Fever, was produced by Bruce Cockburn and was an essential album of the era filled with memorable songs like the title track, “Skybound Station,” and a cover of “White Lines,” which introduced us to the young songwriter Willie P. Bennett. That album might have made Wiffen a star, but for whatever reasons, including personal demons, he gradually withdrew from public view until coming back, briefly, in 1999 with South of Somewhere, a CD that included some new material and re-recordings of some of his earlier material.

During the ‘70s and ‘80s, though, he did maintain some activity in the studio laying down versions of some of the songs he was writing – including five songs that would later be re-recorded for South of Somewhere. I don’t know if these were just recorded as demos or if they were tracks for a planned album, but the tapes were presumed lost for decades. But they turned up recently and many years later have been assembled as Songs from the Lost & Found.

While this new album is not as focused as his earlier LPs – it was, after all, recorded over a period of a decade-and-a-half with several different producers and sets of studio musicians – it is an important and worthy addition to Wiffen’s discography and includes 17 songs: 15 from Wiffen’s pen as well as fine versions of Lynn Miles’ “Crazy Me,” which I’d never heard before, and Mick Jagger and Keith Richards’ “No Expectations,” one of my all-time favorite Rolling Stones songs.

Beyond the five songs recut for South of Somewhere and the two covers, there are 10 Wiffen originals that most of us are hearing for the first time on Songs from the Lost & Found. Among my favorites are “Ballad of Jacob Marlowe,” a traditional-sounding story song; “Your Room,” an introspective break-up song with a lovely jazz-influenced melody; “Any Other Rainy Day (aka Distant Star),” which reminds of those insightful songs I mentioned from David Wiffen that captured the realities of musicians’ lives; and “Rocking Chair World,” a vivid portrait of an serene early morning and the thoughts it provokes that eventually fades into nighttime, sleep and dreams.

Mr. Wiffen has been incommunicado for far too long. It’s great to hear his voice again.By the way, he’ll be doing a rare interview on Canadian Spaces on CKCU this coming Saturday, February 7 to talk about the album.

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--Mike Regenstreif

Sunday, February 1, 2015

Bob Dylan – Shadows in the Night



BOB DYLAN
Shadows in the Night
Columbia

I was skeptical last year when the news surfaced that Bob Dylan was recording an album of songs associated with Frank Sinatra. But listening and re-listening to Shadows in the Night over the past few days, I was captivated by Dylan’s 10-song, 35-minute excursion into the Great American Songbook.

Although each of these songs may have been sung by Sinatra at one point – and he’s listed as a co-writer on “I’m a Fool to Want You,” the opening number – and although the album title, Shadows in the Night, may be an allusion to “Strangers in the Night,” a Sinatra hit of the mid-1960s, I really don’t hear the album as a Sinatra tribute.

For one thing, Dylan does none of Sinatra’s major hits. There are no versions of “Strangers in the Night,” “New York, New York,” “It was a Very Good Year,” “One for My Baby,” “My Way,” etc. on this album. I looked through my own (limited) collection of Sinatra albums and not one of these songs is there. So while I am familiar with some of them from versions by other artists as disparate as Louis Armstrong and Rufus Wainwright – I recall 20-year-old Rufus singing a beautiful rendition of Irving Berlin’s “What’ll I Do” at his maternal grandmother’s funeral in 1994 – I do not have previous Sinatra associations with any of these songs.

For another, Dylan does not attempt to sound like Sinatra – how could he possibly? – and the arrangements, played by Dylan’s touring band with some occasional muted horns added to some songs, sound nothing like Sinatra’s typical big band or orchestral settings. There isn’t even a piano player on the album.

The Sinatra allusion aside, Shadows in the Night is a great title for a deeply intimate album that really should be listened to late at night. The songs are mature reflections sung quietly in Dylan’s ragged, yet compelling voice. He makes these songs his own in ways that are very different from how Sinatra – or other voices like Tony Bennett or Ella Fitzgerald – might have approached them.

The key song, for me anyway, is “Why Try to Change Me Now?” one of the more obscure songs I’d never heard before. Written by Joseph McCarthy Jr. and Cy Coleman, it’s lyrics could credibly have been written by Dylan about himself. “So, let people wonder, let ‘em laugh, let ‘em frown/You know I’ll love you till the moon’s upside down/Don’t you remember I was always your clown?/Why try to change me now?” he sings on top of a quietly lovely guitar-and-pedal-steel-based arrangement.

Among my other favorites are the weary-voiced renditions of “Autumn Leaves” and “That Lucky Old Sun,” both songs I’ve heard by many other artists, and Berlin’s “What I’ll Do,” a beautiful, lonely song.

Many of these are songs of regret – regrets borne of maturity and experience – and Dylan’s voice, ragged from the decades but somehow sweeter than it’s ever been, and as compelling as it’s ever been, draws me deeply into the songs. And I love the way he’s re-imagined the songs for subdued, arrangements built around guitars, pedal steel and bass.

This is not an album that Dylan – who revolutionized the art of songwriting in the 1960s when he was in his 20s – could have made back then. But it is something I’m glad he surprised us with in his 70s.

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--Mike Regenstreif

Saturday, January 31, 2015

Canadian Spaces – CKCU – Saturday January 31, 2015



Mike Regenstreif & Chris White (Photo: Trish Murray)
CKCU can be heard at 93.1 FM in Ottawa and http://www.ckcufm.com/ on the web.

Canadian Spaces on CKCU in Ottawa is Canada’s longest-running folk music radio program. It is heard Saturday mornings from 10:00 am until noon (Eastern time).

It was hosted for more than 33 years by the late Chopper McKinnon and is now hosted by Chris White and a rotating cast of co-hosts.

This week’s show was co-hosted by Mike Regenstreif and Chris White.

Guests: Charlie Angus; Leonard Youngfoot; Trish Murray

Michael Jerome Browne- Sliding Delta
Sliding Delta (Borealis)

Martin Grosswendt- Pay Day
Pay Day! (Martin Grosswendt)

Annie Lou- Tried and True
Tried and True (Annie Lou)

Bruce Murdoch- She Reminds Me of You
Matters of the Heart (Bruce Murdoch)

Grouyan Gombo- Poteau d’Automne
Pooyie J’te Dis! (Grouyan Gombo)

Ball & Chain and the Wreckers- Infinite Blue
Surrender (Ball & Chain)

Steel Rail- Prairie Sky
The Road Less Travelled (Crossties)

Bill Garrett & Sue Lothrop- The Big Fire
Red Shoes (Borealis)

Maria Dunn- Immigrant Dreams
Piece By Piece (Distant Whisper)

Jesse Winchester- Every Day I Get the Blues
A Reasonable Amount of Trouble (Appleseed)

Ana Miura- Only One
Cool is the Daylight (Ana Miura)

David Wiffen- Coast to Coast Fever
Coast to Coast Fever (United Artists) 

Grievous Angels- 22 Trailer Park
22 Trailer Park (Grievous Angels)

Charlie Angus & the Grievous Angels- Diamonds in the Snow
The Great Divide (Grievous Angels)

The Once- Sonny’s Dream
Departure (Nettwerk)

Priscilla Herdman- Turnaround
Forgotten Dreams (Flying Fish)

Leonard Youngfoot- Winter Lady
Live in the studio

Leonard Youngfoot- Soft Light
Live in the studio

Old Man Luedecke- I Quit My Job
Hinterland (Black Hen)

Jamie O'Reilly & Michael Smith- Song of Bernadette
Songs of a Catholic Childhood (J. O’Reilly Productions)

The show is now available for online listening. http://cod.ckcufm.com/programs/129/20539.html


I’ll be co-hosting Canadian Spaces again on March 14.


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--Mike Regenstreif